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Another commercial classical FM flips to noncom.
The classical format on commercial radio moved from "endangered species" closer to "extinct" over the past year, when prominent standard-bearers WQXR New York and WCRB Boston were sold to public broadcasters who converted them to noncommercial operation. Another leading commercial classical voice, the Lutheran Church-owned KFUO-FM in St. Louis, is embroiled in legal and political battles stemming from church leaders' attempts to sell the big class C0 signal to a religious broadcaster. Now Seattle's KING-FM (98.1) is laying the groundwork to end more than half a century of commercial classical radio in the Puget Sound area. "With all the changes in media in the United States, commercial advertising is no longer a fit for KING," said Christopher Bayley, president of the board of the community nonprofit group that's operated the station since its founders, the Bullitt family, donated it as part of the dissolution of their King Broadcasting group in 1995. + What's next for KING-FM. Bayley says there's a lot of work to be done before KING-FM makes the switch to listener-supported status. The "Beethoven" group, which has been operating the station for the benefit of the Seattle Symphony, Seattle Opera and ArtsFund, has to create a new non-profit corporation to own the station, win FCC approval for the flip to noncommercial status, join the Corporation for Public Broadcasting, ramp up a fundraising campaign to begin collecting listener dollars, and wind down the commercial ad sales, which have been conducted on KING-FM's behalf by Fisher Communications. If all goes according to plan, KING-FM will play its last commercial on June 30, 2011. Barring more format changes or sales between now and then, that will leave only a handful of commercial classical FM stations remaining around the country. + Who's left? Once KING-FM takes its big voice noncommercial (it's a 66-kw/2320' full class C from the West Tiger Mountan master-antenna site), it will leave just four big-market commercial classical stations in the US. Two have noncommercial owners: city-owned WRR, Dallas (101.1) and Chicago's WFMT (98.7), which operates commercially but is owned by Chicago public broadcaster WTTW-TV. Then there's Robert Conrad's venerable WCLV, Cleveland, which downgraded to a rimshot facility almost a decade ago. That leaves Entercom's KDFC-FM, San Francisco (102.1) as the last of a dying breed of full-market, fully-commercial classical FMs. Entercom also runs classical programming on an AM in Kansas City (KXTR 1660), where it's also heard on the HD2 subchannel of one of Entercom's FMs. You don't need much more than two hands' worth of fingers to count the rest: Mapleton's KBOQ (103.9) in Monterey, CA; foundation-owned KDB, Santa Barbara (93.7); American General Media's KHFM, Santa Fe, NM (95.5); Judson Group's WCRI, Block Island, RI (95.9); Ken Squier's WCVT, Stowe, VT (101.7); Sandab's WFCC (107.5) on Cape Cod; Davis Media's WBQK (107.9) in the Norfolk, VA market; and three Nassau "W-Bach" outlets on the Maine coast. By contrast, when the first edition of the "M Street Radio Directory" (ancestor to The Radio Book) came out in 1989, it listed 32 commercial classical FMs and more than half a dozen commercial classical AMs. |
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