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#1
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I have been working at a job this summer where I drive around a lot in
my car, which gives me lots of time to listen to classic rock radio. (That's pretty much all there is, aside from a couple of country stations, and NPR, and one AM station which simulcasts Rush Limbaugh and Limbaugh Wannabes on several different AM frequencies.) There seems to be a rather limited canon of songs which these stations play. Does anyone know who drew up the original list, and does anyone know how few songs are on the list? I have a few observations about the list. It does seem to be limited to acts and songs which charted high originally--- which means that influential acts who have been popular for a long time but had few if any high-charting hits are excluded (e.g., the Ramones, Talking Heads, the Clash, the Cure, Iggy Pop, Bob Marley, etc.) But lots of acts and songs who did chart high are also excluded. But even given that limitation, the choice of songs is odd. For example, Eric Clapton was a member of several notable bands---Cream, Derek and the Dominoes, and Blind Faith--- but all of those bands are absent (even Derek and the Dominoes who featured Duane Allman.) Only his solo works are included amongst the half-dozen or so Clapton songs in the canon. Three of Clapton's cnonical songs are inferior cover versions--- i.e. his own solo version of Derek and the Dominoes' "Layla," his cover of the Beatles' "While My Guitar Gently Weeps" and his cover version of Bob Marley's "I Shot the Sherrif." (Clapton's cover versions are not terrible, but they are rather bland compared to the originals, which are preferable both from a musical and pop-hookiness standpoint. And the Beatles cover is less frequently repeated than the others, even though he in fact played on the original...) The pop-radio canon is full of inferior cover versions--- Elton John's "Lucy in the Sky with Diamonds," Aerosmith's "Come Together", and Manfred Mann's "Blinded by the Light" and "Spirit in the Night." (None of those four cover versions are horrible, but the Beatles and Springsteen originals are better, and hookier, and more popular!) In fact, another amusing example of the inferior cover version is Elton John's song "Don't Let the Sun Go Down on Me," which is played not in its original version but in a live version by George Michael where Elton John makes a guest appearance on the last chorus! To get back to Clapton's few songs, I see that there is no attempt to pander to 2004 sensibilities. When Clapton recorded the song "Cocaine", cocaine use was socially acceptable. It isn't acceptable today, and yet the song is played over and over and over again. Elton John's "Lucy in the Sky with Diamonds" is another example: in addition to not being one of Lennon and McCartney's greatest songs, it is about LSD, and the Beatles version is better and more popular. And yet, this is one of the few hundred tracks in the canon. Weird.... Comments, anyone? |
#3
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Just a short one : I've been looking at the playlist for the classic
rock station here on the Oregon Coast ... I've spent literally hours in the air-room watching the list, since I'm a candidate to possibly take over the show in the future, also up for 'traffic assistant' on the 'ofice' side of the station ... I've noticed the oddness of the list - for example the entire Eagles are fair game for the station, but I've only heard a couple of the lesser-known, and yes, tamer songs played too ... There are lists on the 'Net that list the 'acceptable' bands, which DOES include the Rolling Stones, and I never hear any of those either ![]() I think it's like 'soft rock', or in this case, 'soft classic/oldies' that is bold from a programmer view, but tame for those of us who remember the entire albums and the really radical cuts almost never aired, even then ... Of course, I would say I'd change the automated play-list if I were the on-air host, but that may not happen here ... more likely I'll be on the tech side, or production/announcing if at all. I'm currently looking for another job locally, and having met everyone at the local stations, including 'Mr. Big', I think looking elsewhere for work, and doing independent commercials/production and recording is my future anyway ... If you are someone who might have a hand in a playlist at a station(s) in the future, consider looking on the 'Net, compile a list of 'acceptable' classic rock artists, then look for the most obscure and radical album cuts you can find .. I remember the Doors are listed too ! Give me a couple days and I'll cause a commotion with 'acceptable' artists, without crazy announcements and production effects ![]() It's all there - just do the research ... If a station isn't playing what YOU want to hear, contact them .. that simple good luck Joe Altieri (Bill Reich) wrote in message ... (Timothy Horrigan) wrote in message ... I have been working at a job this summer where I drive around a lot in my car, which gives me lots of time to listen to classic rock radio. (That's pretty much all there is, aside from a couple of country stations, and NPR, and one AM station which simulcasts Rush Limbaugh and Limbaugh Wannabes on several different AM frequencies.) There seems to be a rather limited canon of songs which these stations play. Does anyone know who drew up the original list, and does anyone know how few songs are on the list? I have a few observations about the list. It does seem to be limited to acts and songs which charted high originally--- which means that influential acts who have been popular for a long time but had few if any high-charting hits are excluded (e.g., the Ramones, Talking Heads, the Clash, the Cure, Iggy Pop, Bob Marley, etc.) But lots of acts and songs who did chart high are also excluded. But even given that limitation, the choice of songs is odd. For example, Eric Clapton was a member of several notable bands---Cream, Derek and the Dominoes, and Blind Faith--- but all of those bands are absent (even Derek and the Dominoes who featured Duane Allman.) Only his solo works are included amongst the half-dozen or so Clapton songs in the canon. Three of Clapton's cnonical songs are inferior cover versions--- i.e. his own solo version of Derek and the Dominoes' "Layla," his cover of the Beatles' "While My Guitar Gently Weeps" and his cover version of Bob Marley's "I Shot the Sherrif." (Clapton's cover versions are not terrible, but they are rather bland compared to the originals, which are preferable both from a musical and pop-hookiness standpoint. And the Beatles cover is less frequently repeated than the others, even though he in fact played on the original...) The pop-radio canon is full of inferior cover versions--- Elton John's "Lucy in the Sky with Diamonds," Aerosmith's "Come Together", and Manfred Mann's "Blinded by the Light" and "Spirit in the Night." (None of those four cover versions are horrible, but the Beatles and Springsteen originals are better, and hookier, and more popular!) In fact, another amusing example of the inferior cover version is Elton John's song "Don't Let the Sun Go Down on Me," which is played not in its original version but in a live version by George Michael where Elton John makes a guest appearance on the last chorus! To get back to Clapton's few songs, I see that there is no attempt to pander to 2004 sensibilities. When Clapton recorded the song "Cocaine", cocaine use was socially acceptable. It isn't acceptable today, and yet the song is played over and over and over again. Elton John's "Lucy in the Sky with Diamonds" is another example: in addition to not being one of Lennon and McCartney's greatest songs, it is about LSD, and the Beatles version is better and more popular. And yet, this is one of the few hundred tracks in the canon. Weird.... Comments, anyone? One of my favorite singers recorded a song by one of my favorite songwriters. It became a monster pop hit, which was not common for him or for her. It was not one of his very best songs and it is not a song especially suited to her strengths, although it is a very good song and she sang it very well. However, it is MUCH more likely that you will hear Janis sing "Bobby McGee" than anything else she ever did. Even though there are certainly songs that she did better and songs that were closer to her heart. "Turtle Blues" may be a my favorite but there are many others. It is much more likely, except on a country station, that you will hear a Kris Kristofferson song that isn't "Me and Bobby McGee," even though he wrote many other great songs and "Sunday Morning Coming Down" makes him a cultural treasure. Odd, isn't it? Will in New Haven |
#4
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On Sun, 15 Aug 2004 04:14:22 +0000, Joe Altieri wrote:
Just a short one : I've been looking at the playlist for the classic rock station here on the Oregon Coast ... I've spent literally hours in the air-room watching the list, since I'm a candidate to possibly take over the show in the future, also up for 'traffic assistant' on the 'ofice' side of the station ... I've noticed the oddness of the list - for example the entire Eagles are fair game for the station, but I've only heard a couple of the lesser-known, and yes, tamer songs played too ... There are lists on the 'Net that list the 'acceptable' bands, which DOES include the Rolling Stones, and I never hear any of those either ![]() I think it's like 'soft rock', or in this case, 'soft classic/oldies' that is bold from a programmer view, but tame for those of us who remember the entire albums and the really radical cuts almost never aired, even then ... Of course, I would say I'd change the automated play-list if I were the on-air host, but that may not happen here ... more likely I'll be on the tech side, or production/announcing if at all. I'm currently looking for another job locally, and having met everyone at the local stations, including 'Mr. Big', I think looking elsewhere for work, and doing independent commercials/production and recording is my future anyway ... If you are someone who might have a hand in a playlist at a station(s) in the future, consider looking on the 'Net, compile a list of 'acceptable' classic rock artists, then look for the most obscure and radical album cuts you can find .. I remember the Doors are listed too ! Give me a couple days and I'll cause a commotion with 'acceptable' artists, without crazy announcements and production effects ![]() It's all there - just do the research ... If a station isn't playing what YOU want to hear, contact them .. that simple good luck Joe Altieri You did an excellent job of pointing out why radio programming today has to be much more professional and research-driven than it used to be. Back when today's "classic rock" recordings were still fairly current and the format was called "album rock", most stations had some system for identifying which album cuts were acceptable according to the station's program and music directors; but individual jocks often had considerable latitude in choosing just which cuts they played. For those who are too young to remember, the microcomputer was still in its infancy back then and AFAIK no stations were using computers to schedule music -- human beings had to make decisions as they went along. In those days a good jock knew the station's library intimately, knew the audience nearly as well, and could find the right cut for any particular moment; we even took requests! A mediocre jock knew most of the most popular songs and artists, and seldom played anything else (except when they heard another jock play something). A really bad jock had poor taste in music (and little understanding of flow and tempo), played personal favorites, and generally stunk up the station. A youngster who grew up listening to the music his parents liked could be a pretty goo classic rock jock. His twin who only listened to what the other kids in the neighborhood liked would need the guidance and restraint of a knowledgeable music director who uses scheduling software to preselect everything. But if I were still programming, I'd rather hire hire either fellow oldtimers or jocks who have been in the market for several years, then allow them as much playlist discretion as they can handle. Nothing against young gypsies -- i was one myself, back in the day -- but nothing beats having real live people who know both the music and the local audience. -- Walter Luffman Medina, TN USA Amateur curmudgeon, equal opportunity annoyer |
#5
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![]() "BucketButt" wrote in message ... But if I were still programming, I'd rather hire hire either fellow oldtimers or jocks who have been in the market for several years, then allow them as much playlist discretion as they can handle. Nothing against young gypsies -- i was one myself, back in the day -- but nothing beats having real live people who know both the music and the local audience. But, with rare exceptions, "DJ choice" programming ended with the progressive stations of the late 60's. Except for, perhaps, KPIG, anyone doing it is also losing in the ratings. |
#6
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On 19 Aug 2004 14:29:43 GMT, BucketButt
wrote: In those days a good jock knew the station's library intimately, knew the audience nearly as well, and could find the right cut for any particular moment; we even took requests! A mediocre jock knew most of the most popular songs and artists, and seldom played anything else (except when they heard another jock play something). A really bad jock had poor taste in music (and little understanding of flow and tempo), played personal favorites, and generally stunk up the station. I guess that's the difference between being a DISK JOCKEY and an AIR PERSONALITY. To be honest (albeit blunt), most guys on the rock stations in 'those days' were terrible as air personalities. Of course, there were exceptions like Tom Donahue and B. Mitchell Reed (both of whom came from a Top 40 background where they learned to be GREAT air performers BEFORE they learned music). IMHO, selecting music does not really take any talent. It takes KNOWLEDGE and knowledge can be learned. You can't learn talent. You either have it or you don't. How many Dan Ingram's, Robert W. Morgan's, Dr. Don Rose's, etc. are there? Not too many as far as I know. Give me an air personality over a disk jockey ANY DAY! You can train an air personality to pick music. You can't train someone with little or no 'God-given' talent to be talented. Just my .02. J.J. |
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