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![]() D Peter Maus wrote: N9NEO wrote: I probably should have asked for this before I bought one. I bought a Sony at circuit city for 24bucks. It seems to work ok but I don't think the quality is so good. I opened her up and poked around. Real cheezy. I'll be leaving this in the desert out in California along with my truck full of camping gear and a couple of loops. I'm flying back and so I'm ditching everything cept the radios and tapes and a few clothes. When I get back I'll probably buy another recorder so I am going to know what I should buy. I had to buy a damn 60db reducer to drive the Sony tape deck from my Degen that has a standard 1v output. Also I wonder if I should use 60min tapes or 120min tapes. 73 NEO The technology you use, really, should be selected pursuant to your application. Basics can be covered with about anything. I still have and use a pair of Webster wire recorders when all my other recorders are tied up. So, virtually anything will capture the sound. Cassette is probably the most economical choice. They're almost disposable in the event of a failure, and they can be picked up at garage sales, flea markets, and other grot shops for pennies. Sometimes in numbers. They offer little or no interference to your Degen. But tapes are getting harder to find, quality tape is still fragile (never use 120 min cassettes--the stock is too thin, and most cassette machines require too much tension for auto stop...stretched tapes are tougher to splice than open reels, and can be lost forever) and quality of tape to tape dubs is poor. So archiving or sharing is not a practical option. Open reel machines are widely available, offer convenient performance, but inconvenient acquisition of media. And like cassette, interference isn't a problem in most cases. Digital recording presents a significant number of advantages in management options. And accuracy can be exceptional, even though the project audio isn't. DAT is expensive, and even more fragile than cassette. Standalone CD recorders are not cheap. Computer based audio presents, often, noise problems. That said, computer based audio recording offers the greatest flexibility in audio management and some surprisingly good applications are freeware. Like Audacity. Overkill, perhaps, but anything worth doing is worth overdoing. There's also Mini Disc. Which can, depending on conditions, archive fairly well, offer decent, but not breathtaking, accuracy, and it's compact, and easily adaptable to your application. I know radio stations that use mini disc for commercials. Sharing of audio content may be less convenient, with Mini Disc, though. If you're using a Degen, I'm not thinking PC based audio will be you best option. There will be noise issues, unless you can mount a remote antenna with a shielded transmission line. If you're willing to go that route, you can have quite the operation. With convenient and versatile management, and good audio quality. For simple, no nonsense recording of your Degen,my recommendations would be: a reasonable quality cassette deck, preferably one with line inputs, though now that you have the pad, that's not so much of an issue, will get you where you want to go. And any reasonable quality C-90 cassette tape. Second after that would be Mini Disc. Portable, or console--no matter as long as it has line inputs. Followed by PC audio. Notebooks can be (though not always are) quieter than desktops. That's where your versatility will be. And most have line level inputs. The application can be anything that you're comfortable with. Start with the freeware apps. Many notebooks have dropped line inputs. You can still get Creative cards if you want a line input. The Creative card are certainly better in playing back audio. |
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