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AM electromagnetic waves: 20 KHz modulationfrequencyonanastronomically-low carrier frequency
isw wrote:
What is the difference between AM and DSB? AM is a process. DSB (double sideband), with carrier, is it's most simple result. DSB without carrier (suppressed carrier dsb) requires using, at least, a balanced mixer as the AM multiplier. And requires, for proper reception, that a carrier be recreated at the receiver which has not only the amplitude of the original, but also its exact phase. Absent some sort of "pilot" to get things synchronized, this makes reception very difficult. Isaac Try a Costas loop. |
AM electromagnetic waves: 20 KHz modulation frequencyonanastronomically-low carrier frequency
On Thu, 05 Jul 2007 00:00:45 -0700, Ron Baker, Pluralitas! wrote:
Suppose you have a 1 MHz sine wave whose amplitude is multiplied by a 0.1 MHz sine wave. What would it look like on an oscilloscope? This is close, but not to scale: http://en.wikipedia.org/wiki/Amplitude_modulation The animation shows the "envelope". What would it look like on a spectrum analyzer? One vertical "spike" at 1 MHz with smaller spikes at .9 and 1.1 MHz. The height of the two side spikes, depends on the depth of modulation. In this case, the carrier is in the middle, and the sidebands are on the sides. Then suppose you have a 1.1 MHz sine wave added to a 0.9 MHz sine wave. What would that look like on an oscilloscope? whatever 0.9 MHz superimposed on 1.1 MHz looks like. ;-) What would that look like on a spectrum analyzer? One spike at each input frequency, 0.9 and 1.1 MHz. If they're mixed nonlinearly, then you get modulation, as above. Hope This Helps! Rich |
AM electromagnetic waves: 20 KHz modulation frequency on an astronomically-low carrier frequency
On Thu, 05 Jul 2007 20:02:15 -0600, Bob Myers wrote:
"John Fields" wrote in message You missed my point, which was that in a mixer (which the ear is, since its amplitude response is nonlinear) as the two carriers approach each other the difference frequency will go to zero and the sum frequency will go to the second harmonic of either carrier, making it largely appear to vanish into the fundamental. Sorry, John - while the ear's amplitude response IS nonlinear, it does not act as a mixer. "Mixing" (multiplication) occurs when a given nonlinear element (in electronics, a diode or transistor, for example) is presented with two signals of different frequencies. But the human ear doesn't work in that manner - there is no single nonlinear element which is receiving more than one signal. Sure there is - the cochlea. (well, the whole middle ear/inner ear system.) What would the output look like if you summed a 300Hz tone and a 400Hz tone and sent the sum to a log amp and spectrum analyzer/fft? Thanks, Rich |
AM electromagnetic waves: 20 KHz modulation frequencyonanastronomically-low carrier frequency
On 7/4/07 8:42 PM, in article , "Ron
Baker, Pluralitas!" wrote: "Don Bowey" wrote in message ... On 7/4/07 10:16 AM, in article , "Ron Baker, Pluralitas!" wrote: "Don Bowey" wrote in message ... On 7/4/07 7:52 AM, in article , "Ron Baker, Pluralitas!" wrote: snip cos(a) * cos(b) = 0.5 * (cos[a+b] + cos[a-b]) Basically: multiplying two sine waves is the same as adding the (half amplitude) sum and difference frequencies. No, they aren't the same at all, they only appear to be the same before they are examined. The two sidebands will not have the correct phase relationship. What do you mean? What is the "correct" relationship? One could, temporarily, mistake the added combination for a full carrier with independent sidebands, however. (For sines it is sin(a) * sin(b) = 0.5 * (cos[a-b]-cos[a+b]) = 0.5 * (sin[a-b+90degrees] - sin[a+b+90degrees]) = 0.5 * (sin[a-b+90degrees] + sin[a+b-90degrees]) ) -- rb When AM is correctly accomplished (a single voiceband signal is modulated The questions I posed were not about AM. The subject could have been viewed as DSB but that wasn't the specific intent either. You should take some time to more carefully frame your questions. Do you understand that a DSB signal *is* AM? Post your intention; it might help. onto a carrier via a non-linear process), at an envelope detector the two sidebands will be additive. But if you independe ntly place a carrier at frequency ( c ), another carrier at ( c-1 khz) and another carrier at (c+ 1 kHz), the composite can look like an AM signal, but it is not, and only by the most extreme luck will the sidebands be additive at the detector. They would probably cycle between additive and subtractive since they have no real relationship and were not the result of amplitude modulation. |
AM electromagnetic waves: 20 KHz modulation frequency on an astronomically-low carrier frequency
"Rich Grise" wrote in message ... Sorry, John - while the ear's amplitude response IS nonlinear, it does not act as a mixer. "Mixing" (multiplication) occurs when a given nonlinear element (in electronics, a diode or transistor, for example) is presented with two signals of different frequencies. But the human ear doesn't work in that manner - there is no single nonlinear element which is receiving more than one signal. Sure there is - the cochlea. (well, the whole middle ear/inner ear system.) Nope - the point had to do with the inner workings of the cochlea. You can't consider it as a single element, as the inner workings consists of what are essentially thousands of very narrowband individual sensors. There is no *single* nonlinear element in which mixing of, say, the hypothetical 300 Hz and 400 Hz tones would take place. John responded that the eardrum (typmanic membrane) would act as such an element, but I would suggest that any mixing which might in theory go on here is not a signifcant factor in how we perceive such tones. The evidence for this is obvious - if presented with, say, a pure 440 Hz "A" from a tuning fork, and the note from the slightly flat instrument we're trying to tune (let's say 438 Hz), we DO hear the 2 Hz "beat" that results from the interference (in the air) between these two sounds. What we do NOT hear to any significant degree is the 878 Hz sum that would be expected if there were much contribution from a multiplicative ("mixing") process. Bob M. |
AM electromagnetic waves: 20 KHz modulation frequency on an astronomically-low carrier frequency
Jim Kelley wrote:
On Jul 5, 9:38 pm, John Fields wrote: Sure enough, I heard the beat even though it came from different sources, but I couldn't quite get it down to DC even with the scope's trace at 0V. Of course you heard beats. What you didn't hear is the sum of the frequencies. I've had the same setup on my bench for several months. It's also one of the experiments the students do in the first year physics labs. Someone had made the claim a while back that what we hear is the 'average' of the two frequencies. Didn't make any sense so I did the experiment. The results are as I have explained. We hear the average of two frequencies if both frequencies are indistinguishably close, say with a difference of some few hertz. For example, the combination of a 220 Hz signal and a 224 Hz signal with the same amplitude will be perceived as a 4 Hz beat of a 222 Hz tone. gr, Hein |
AM electromagnetic waves: 20 KHz modulation frequencyonanastronomically-lowcarrier frequency
Tommy Tootles wrote: Uh, John...respectfully, I have to wonder just who is on drugs. The original poster *ASKED* about *DSB* vs. AM YOU *ANSWERED* about *SSB*. Here is the correct answer... There are two broad types of DSB (double sideband) transmission: DSB-RC and DSB-SC, meaning BOTH sidebands are transmitted, but with either a (R)educed (C)arrier or a (S)urpressed (C)arrier. AM sends both sidebands and full carrier. Hope that answers the OP's question John Smith I wrote: Yeah, you just discovered that for all intents and purposes double sideband is am, and suppressed carrier is just like suppressed carrier am? Oh well, better late than never ... JS What *I* discovered is -not- the point. And for all intents and purposes, "AM" and DSB are two distinct (but certainly related) things. Different hardware to create (balanced modulator for DSB vs high level plate modulation for 'classic' AM), more power required for AM and finally, back in the day, the FCC had -different- emission designators for AM vs DSB. Now, if they were the same, why would you think the FCC gave them -different- emission designators? What IS the point is: 1) The original poster asked a question about "x". 2) You gave a half-assed answer to "y". And then, you had the bare faced gall to accuse the original poster of being on drugs! Look at the good news--even though you gave a partially wrong answer to a question that wasn't even asked, you at least resolved the issue of which of the two of you is on drugs... ;-) |
AM electromagnetic waves: 20 KHz modulationfrequencyonanastronomically-lowcarrier frequency
Ron Baker, Pluralitas! wrote:
What is the difference between AM and DSB? The two actually describe different properties, so a signal can be be AM, DSB, neither, or both. And here we run into some trouble between technical correctness and common usage. DSB stands for Double SideBand. Although I suppose an FM signal could be called DSB because it has two *sets* of sidebands, and a narrowband FM signal has only one significant pair like an AM signal, in my experience the term DSB virtually always refers to a signal generated by amplitude modulation. AM is Amplitude Modulation. Straightforward amplitude modulation such as done for AM broadcasting produces a carrier and two sidebands, or DSB with carrier. Either the carrier or one sideband, or both, can be suppressed. If you suppress the carrier (or don't generate it in the first place), you get DSB with suppressed carrier, or DSB-SC. If you suppress one sideband, you get SSB. Usually, but not always, the carrier is also suppressed along with the one sideband, resulting in SSB-SC. NTSC television transmission is VSB -- AM with a carrier and "vestigial" or partially suppressed sideband and a full second sideband. Partial suppression of the carrier is also done for some broadcast purposes. So a commercial AM broadcast station broadcasts a signal that's both AM and DSB. A typical amateur or military SSB transmission is AM but not DSB. A QPSK signal is neither. And, as I mentioned, some signals like FM could be considered DSB but not AM (although this isn't common usage). In common amateur parlance, however, "AM" usually means AM with two sidebands and carrier. "DSB" usually means AM with two sidebands and suppressed carrier "SSB" usually means AM with a single sideband and suppressed carrier Roy Lewallen, W7EL |
AM electromagnetic waves: 20 KHz modulation frequency on an astronomically-low carrier frequency
"isw" wrote in message ... In article , "Ron Baker, Pluralitas!" wrote: "isw" wrote in message ... In article , "Ron Baker, Pluralitas!" wrote: "isw" wrote in message ... In article , "Ron Baker, Pluralitas!" wrote: "isw" wrote in message ... snip After you get done talking about modulation and sidebands, somebody might want to take a stab at explaining why, if you tune a receiver to the second harmonic (or any other harmonic) of a modulated carrier (AM or FM; makes no difference), the audio comes out sounding exactly as it does if you tune to the fundamental? That is, while the second harmonic of the carrier is twice the frequency of the fundamental, the sidebands of the second harmonic are *not* located at twice the frequencies of the sidebands of the fundamental, but rather precisely as far from the second harmonic of the carrier as they are from the fundamental. Isaac Whoa. I thought you were smoking something but my curiosity is piqued. I tried shortwave stations and heard no harmonics. But that could be blamed on propagation. There is an AM station here at 1.21 MHz that is s9+20dB. Tuned to 2.42 MHz. Nothing. Generally the lowest harmonics should be strongest. Then I remembered that many types of non-linearity favor odd harmonics. Tuned to 3.63 MHz. Holy harmonics, batman. There it was and the modulation was not multiplied! Voices sounded normal pitch. When music was played the pitch was the same on the original and the harmonic. One clue is that the effect comes and goes rather abruptly. It seems to switch in and out rather than fade in an out. Maybe the coming and going is from switching the audio material source? This is strange. If a signal is multiplied then the sidebands should be multiplied too. Maybe the carrier generator is generating a harmonic and the harmonic is also being modulated with the normal audio in the modulator. But then that signal would have to make it through the power amp and the antenna. Possible, but why would it come and go? Strange. Hint: Modulation is a "rate effect". Isaac Please elaborate. I am so eager to hear the explanation. The sidebands only show up because there is a rate of change of the carrier -- amplitude or frequency/phase, depending; they aren't separate, stand-alone signals. Since the rate of change of the amplitude of the second harmonic is identical to that of the fundamental, the sidebands show up the same distance away, not twice as distant. Isaac That doesn't explain why the effect would come and go. I don't understand what effect you're referring to here. When I was tuned to the 3rd harmonic sometimes I would hear it and sometimes not. It would come and go rather abruptly. It didn't seem to be gradual fading. But once again you have surprised me. Your explanation of the non-multiplied sidebands, while qualitative and incomplete, is sound. I'm a physicist/engineer, and have been for a long time. I have always The you understand Fourier transforms and convolution. maintained that if the only way one can understand physical phenomena is by solving the differential equations that describe them, then one does not understand the phenomena at all. If you can express a thing in words, such that a person with little mathematical ability can understand what's going on, *then* you have a good grasp of it. I too am a fan of the intuitive approach. But I find that theory is often irreplacable. It looks to me that the tripple frequency sidebands are there but the basic sidebands dominate. Especially at lower modulation indexes. I don't understand what you are saying here either. And in my experience, the term "modulation index" is more likely to show up in a discussion of FM or PM than AM; are you using it interchangeably with "modulation percentage"? http://en.wikipedia.org/wiki/Amplitu...dulation_index Isaac |
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