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[email protected] July 27th 06 12:40 AM

Interesting article on fading distortion
 
http://www.kongsfjord.no/dl/dl.htm
Dallas Lankford has done some serious research on the cause and cure
of/for
the distortion caussed by ionospheric "hops".
All of his PDFs are informative, but his "Elliptic Low Pass Audio
Filters" series
are must reads. His conclussions in his "Elliptic Low Pass Audio
Filters (Amplified) -
Simplified and improved", 29-MAY-2006, are downright fascinating. I
have been
playing with his design and a couple of steep cut off 3600Hz filters. I
don't
have the tools to duplicate his research. I knew from the "get go" that
my
remote/weak signal source with which I use to test detector, and to a
lesser
degree, antenna/feedline combination suffered from the major weakness
that
there was no multipath effects. All of my experiments were local ground
wave
and I couldn't, and still can't, "messure" the effects of such fading.

I would love to have a Drake R8B, but I was forced to deal with the
receivers I do
have. I used R390, R392, R2000(modified),
R2000(stock),(borrowed)AOR7030,
and a DX398 for some simple tests. I am just out of the ground wave
for several
MW stations and around dawn and dusk I get serious and nasty fading. So
for
the last few weeks I have been comparing stock, ie non-synchronous,
detectors
with synchronous detectors, and the addition of a brick wall 3.5KHz low
pass fitler.

As Mr. Lankford concludes a synch detector is only (and that might
ought to be
"may") be slightly better then a AF LP good filter. It is rather
frustrating to have
spent the last 18 months building an outboard synchronous detector to
find that
a simple LP filter offered so much improvement. Don't get me wrong, a
synch
detector is a usefull addition, but not the end all I had hoped.

I will disagree with his use of a simple bipolar 2W AF amp. The one
thing I have
descerned is that after AF detection, any additional distortion rapidly
degrades
intelligibility. I found MOSFETs, and vacuum tubes, amps allowed me to
understand
signals better then 6dB down from a "good" bipolar AF amp.

"My" third R2000 was siezed by my wife. I had added a MOSFET amp,
redesigned
the treble cut to a tone-tilt control and just completed adding
switchable 3KHz/4KHz
Filters as designed by Mr. Lankford. My wife has been doing some casual
SWL for the
last few days and agrees the filters are very good for nasty band
conditions.

Email is abandoned and dead.
Terry


[email protected] July 27th 06 02:14 AM

Interesting article on fading distortion
 
Great info Terry! Keep it up and keep us informed.

Frank
K3YAZ

wrote:
http://www.kongsfjord.no/dl/dl.htm
Dallas Lankford has done some serious research on the cause and cure
of/for
the distortion caussed by ionospheric "hops".
All of his PDFs are informative, but his "Elliptic Low Pass Audio
Filters" series
are must reads. His conclussions in his "Elliptic Low Pass Audio
Filters (Amplified) -
Simplified and improved", 29-MAY-2006, are downright fascinating. I
have been
playing with his design and a couple of steep cut off 3600Hz filters. I
don't
have the tools to duplicate his research. I knew from the "get go" that
my
remote/weak signal source with which I use to test detector, and to a
lesser
degree, antenna/feedline combination suffered from the major weakness
that
there was no multipath effects. All of my experiments were local ground
wave
and I couldn't, and still can't, "messure" the effects of such fading.

I would love to have a Drake R8B, but I was forced to deal with the
receivers I do
have. I used R390, R392, R2000(modified),
R2000(stock),(borrowed)AOR7030,
and a DX398 for some simple tests. I am just out of the ground wave
for several
MW stations and around dawn and dusk I get serious and nasty fading. So
for
the last few weeks I have been comparing stock, ie non-synchronous,
detectors
with synchronous detectors, and the addition of a brick wall 3.5KHz low
pass fitler.

As Mr. Lankford concludes a synch detector is only (and that might
ought to be
"may") be slightly better then a AF LP good filter. It is rather
frustrating to have
spent the last 18 months building an outboard synchronous detector to
find that
a simple LP filter offered so much improvement. Don't get me wrong, a
synch
detector is a usefull addition, but not the end all I had hoped.

I will disagree with his use of a simple bipolar 2W AF amp. The one
thing I have
descerned is that after AF detection, any additional distortion rapidly
degrades
intelligibility. I found MOSFETs, and vacuum tubes, amps allowed me to
understand
signals better then 6dB down from a "good" bipolar AF amp.

"My" third R2000 was siezed by my wife. I had added a MOSFET amp,
redesigned
the treble cut to a tone-tilt control and just completed adding
switchable 3KHz/4KHz
Filters as designed by Mr. Lankford. My wife has been doing some casual
SWL for the
last few days and agrees the filters are very good for nasty band
conditions.

Email is abandoned and dead.
Terry



Brian Denley July 27th 06 02:15 AM

Interesting article on fading distortion
 
How can any audio filter make up for severe distortion?

--
Brian Denley
http://home.comcast.net/~b.denley/index.html



[email protected] July 27th 06 07:00 AM

Interesting article on fading distortion
 

wrote:
http://www.kongsfjord.no/dl/dl.htm
Dallas Lankford has done some serious research on the cause and cure
of/for
the distortion caussed by ionospheric "hops".
All of his PDFs are informative, but his "Elliptic Low Pass Audio
Filters" series
are must reads. His conclussions in his "Elliptic Low Pass Audio
Filters (Amplified) -
Simplified and improved", 29-MAY-2006, are downright fascinating. I
have been
playing with his design and a couple of steep cut off 3600Hz filters. I
don't
have the tools to duplicate his research. I knew from the "get go" that
my
remote/weak signal source with which I use to test detector, and to a
lesser
degree, antenna/feedline combination suffered from the major weakness
that
there was no multipath effects. All of my experiments were local ground
wave
and I couldn't, and still can't, "messure" the effects of such fading.

I would love to have a Drake R8B, but I was forced to deal with the
receivers I do
have. I used R390, R392, R2000(modified),
R2000(stock),(borrowed)AOR7030,
and a DX398 for some simple tests. I am just out of the ground wave
for several
MW stations and around dawn and dusk I get serious and nasty fading. So
for
the last few weeks I have been comparing stock, ie non-synchronous,
detectors
with synchronous detectors, and the addition of a brick wall 3.5KHz low
pass fitler.

As Mr. Lankford concludes a synch detector is only (and that might
ought to be
"may") be slightly better then a AF LP good filter. It is rather
frustrating to have
spent the last 18 months building an outboard synchronous detector to
find that
a simple LP filter offered so much improvement. Don't get me wrong, a
synch
detector is a usefull addition, but not the end all I had hoped.

I will disagree with his use of a simple bipolar 2W AF amp. The one
thing I have
descerned is that after AF detection, any additional distortion rapidly
degrades
intelligibility. I found MOSFETs, and vacuum tubes, amps allowed me to
understand
signals better then 6dB down from a "good" bipolar AF amp.

"My" third R2000 was siezed by my wife. I had added a MOSFET amp,
redesigned
the treble cut to a tone-tilt control and just completed adding
switchable 3KHz/4KHz
Filters as designed by Mr. Lankford. My wife has been doing some casual
SWL for the
last few days and agrees the filters are very good for nasty band
conditions.

Email is abandoned and dead.
Terry


It is an interesting idea, but nobody builds LCR filters. Rather, you
use the LCR filter as a prototype, then build a leapfrog active filter
from signal flow graphs based on the physical LCR filter.

The problem with elliptic filters with sharp cutoffs is they ring. I
think that would be more annoying than the flutter it is trying to
remove.


[email protected] July 27th 06 12:15 PM

Interesting article on fading distortion
 

Brian Denley wrote:
How can any audio filter make up for severe distortion?

--
Brian Denley
http://home.comcast.net/~b.denley/index.html

-----------------------------------
Please read the pdf at:
http://www.kongsfjord.no/dl/Audio/On%20The%20Causes%20And%20Cures%20Of%20Audio%20Dis tortion%20Of%20Received%20AM%20Signals%20Due%20To% 20Fading%20II.pdf
Lots of nifty formulae and even has FFT trasform screen captures to
show his reasoing.

Terry


David July 27th 06 02:08 PM

Interesting article on fading distortion
 
On 26 Jul 2006 23:00:58 -0700, wrote:



It is an interesting idea, but nobody builds LCR filters. Rather, you
use the LCR filter as a prototype, then build a leapfrog active filter
from signal flow graphs based on the physical LCR filter.


Really? What kind of filters does the Drake R8 series use?


Frank Dresser July 27th 06 04:35 PM

Interesting article on fading distortion
 

wrote in message
ups.com...

Brian Denley wrote:
How can any audio filter make up for severe distortion?

--
Brian Denley
http://home.comcast.net/~b.denley/index.html

-----------------------------------
Please read the pdf at:

http://www.kongsfjord.no/dl/Audio/On...ures%20Of%20Au
dio%20Distortion%20Of%20Received%20AM%20Signals%20 Due%20To%20Fading%20II.pdf

Lots of nifty formulae and even has FFT trasform screen captures to
show his reasoing.

Terry


Am I reading the nifty formulae wrong? It looks to me like he's deriving
the distortion of a diode detector from the modulation index only. My sense
of these things says that a 50% modulated signal at a tenth of a volt is
going to have much more distortion than a 50% modulated signal at 10 volts.

Frank Dresser



[email protected] July 28th 06 12:29 AM

Interesting article on fading distortion
 

Frank Dresser wrote:

Am I reading the nifty formulae wrong? It looks to me like he's deriving
the distortion of a diode detector from the modulation index only. My sense
of these things says that a 50% modulated signal at a tenth of a volt is
going to have much more distortion than a 50% modulated signal at 10 volts.

Frank Dresser


Very few radios drive the detector with anything near 10V.
The R390 and R392 have the highest diode drive voltages I have
seen and I think they are less then about 3V.

Most modern, IE "solid state", receivers I have measured have less
1V. All that I have seen that use discrete diode detectors as oppossed
to ICs, have farily high AF gain stages.

I didn't post this as an attemp to claim that "Synchronous detectors"
are a hoax,
but to offer another viewpoint that is backed up by what appears to be
valid
engineering to me.

ASCII text is not my choice for this arcane topic because of the great
difficulty
in expressing meaningfull equations.

This is merely another tool to be used in trying to receceive fading
signals.
His filters work much better then I expected. I found that by forward
biasing
the detector in my R2000 I got a much cleaner, ie lower distortion,
signal.
This was difficult to manage over very modest temperature changes.
A full wave "improved AM detector" gave even better results.
http://www.amwindow.org/tech/htm/alowdisdet.htm
A synch detector in an outboard detector gave even better results.

But the simple improved AM detector with a 4000Hz LP filter is a pretty
close
match to the synch detector at 1/100 the effort.

The above link goes into the math, this link starts with simpler math
and may
help the none engineers enter the fray.
http://www.st-andrews.ac.uk/~www_pa/Scots_Guide/RadCom/part9/page2.html
Another unusual but good detector can be seen at:
http://www.pan-tex.net/usr/r/receivers/elrpicamdetect.htm
Tom Holden's Synch detector group has a link to a very detailed math
examination of "detection". I lost the link to that paper so you will
have to ask
Tom or join his group.

And please note Mr. Lankford is not merely slapping a 4000Hz LP AF
filter
in the audio chain, he is offset tunning, with good narrow IF fitlers,
to eliminate
one sideband.

Terry


David July 28th 06 02:30 AM

Interesting article on fading distortion
 
On 27 Jul 2006 17:09:16 -0700, "N9NEO"
wrote:

Terry, Frank, et al.


And David, what was that comment about the Drake receivers? Do you
know what type of filters they use?


''The R8 IF filters
hark back to the models 1, 2 and early R4,
is they are LC tuned circuits, not crystal
filters. Crystal filters have gotten more
expensive over the years (is the world
running out of quartz, too?), and apparently
LC filters are now more cost-effective.
Some receiver users claim that LC filters
provide better audio response for listening
to broadcast stations. From a performance
standpoint, I wouldn’t have known the R8
had I.C. filters if I hadn’t read about them
in the Owne r 's Manual.''

http://www.dproducts.be/drake_museum/qst-r8.pdf


[email protected] July 28th 06 12:25 PM

Interesting article on fading distortion
 

N9NEO wrote:
Terry, Frank, et al.

Yes, an interesting article. Thanks for bringing it up to the front
burner again.

I don't understand his representation of the fading term as it has no
link to the actual fading frequency. I would think the distortion
would have to be created by the fade. The only frequencies discussed
are w_carrier, and w_audio.

Also his depiction of instantaneous fourier spectrum at the point of
deepest fade leaves me guessing. I would have liked to see him strobe
the fade in and out at a fixed frequency and see the spectrum output of
that. All in all a good article. I read it a few weeks ago briefly,
but haven't had the time to get into it. I'll for sure make the time
knowing there might be some meaningfull discussion here. Usually the
threads degenerate at warp speed.

My boss just bought a smokin nice spectrum analyzer that I might be
able to share with him.

And David, what was that comment about the Drake receivers? Do you
know what type of filters they use?


regards,
Bob
N9NEO



One big problem with recreating real world HF propagation is the random
nature of multipath. Lankford's sweeping RF notch recreates a simple
single fade, but can't
produce the multiple "comb filter" like effect I have noticed. I built
a simple HiFer
"beacon" that allows me to check a "real world" RF signal for just how
much
SN effected intelligibility. I found that many non obvious things had a
big effect.
One of the simplest source of nastiness is the post detection AF chain.
I had
doubted that minor things like the type of capacitor could "really make
any diference".
My whole goal was to improve my best radio as much as I could for as
little money
as possible. A synch detector is one improvement. But even though a
"good" synch
detector with a phasing fitler is supposed to reject non signal out of
band signals.
see :http://home.worldnet.att.net/~wa1sov/technical/sync_det.html
It does help, in some conditions.
I found the biggest jump in intelligibility for the least money came
from an "Improved
AM detector". See: http://www.amwindow.org/tech/htm/alowdisdet.htm
To qoute "There are no intermodulation terms to contend with. In fact,
functionaly,
this is identical to synchronous detection. The negative half wave
signal is derived
in a similar fashion."
For clear signals, with no or minimal fading this detector is cleaner
then any other
detector I have played with. With this detector, a decent 4KHz IF
filter, and using
offset tuning on AM with a 4KHZ AF LP fitler, the result is very close
in performance
a Synch detector. If you wish to follow my "saga", please look up the
various threads from last summer.


IF I were doing this project over I would likely go with the better
Kiwa fitler module and the improved AM detector. Along with an improved
AF chain. My wife's R2000 has a
4HKZ mechanical fiter in the AM-N/SSB slot, the improved AM detector
and a home
built 2W MOSFET audio chain. And she loves it.

Terry


Frank Dresser July 28th 06 07:58 PM

Interesting article on fading distortion
 

wrote in message
oups.com...

Frank Dresser wrote:

Am I reading the nifty formulae wrong? It looks to me like he's

deriving
the distortion of a diode detector from the modulation index only. My

sense
of these things says that a 50% modulated signal at a tenth of a volt is
going to have much more distortion than a 50% modulated signal at 10

volts.

Frank Dresser


Very few radios drive the detector with anything near 10V.
The R390 and R392 have the highest diode drive voltages I have
seen and I think they are less then about 3V.


The range is extreme, but not outlandish.


Most modern, IE "solid state", receivers I have measured have less
1V. All that I have seen that use discrete diode detectors as oppossed
to ICs, have farily high AF gain stages.


But I'd expect considerably less distortion at 3V rather than 1V.

And I'd also expect that no radio really uses a square law detector to
detect the audio. Real detectors try to linerize a diode's operation by
lightly loading the detector with a reletively high resistance and trying to
minimize operation in the diode's "square law" area. Both voltage and AC/DC
impedance are important considerations in determing diode audio detector
distortion.

I suspect the term "square law detector" is the same sort of term as "first
detector" -- what's now known as a mixer.

I know I've been tripped up by these archaic terms before.

Frank Dresser



Telamon July 28th 06 09:57 PM

Interesting article on fading distortion
 
In article
,
"Frank Dresser" wrote:

wrote in message
oups.com...

Frank Dresser wrote:

Am I reading the nifty formulae wrong? It looks to me like he's
deriving the distortion of a diode detector from the modulation
index only. My sense of these things says that a 50% modulated
signal at a tenth of a volt is going to have much more distortion
than a 50% modulated signal at 10 volts.

Frank Dresser


Very few radios drive the detector with anything near 10V. The R390
and R392 have the highest diode drive voltages I have seen and I
think they are less then about 3V.


The range is extreme, but not outlandish.


Most modern, IE "solid state", receivers I have measured have less
1V. All that I have seen that use discrete diode detectors as
oppossed to ICs, have farily high AF gain stages.


But I'd expect considerably less distortion at 3V rather than 1V.

And I'd also expect that no radio really uses a square law detector
to detect the audio. Real detectors try to linerize a diode's
operation by lightly loading the detector with a reletively high
resistance and trying to minimize operation in the diode's "square
law" area. Both voltage and AC/DC impedance are important
considerations in determing diode audio detector distortion.

I suspect the term "square law detector" is the same sort of term as
"first detector" -- what's now known as a mixer.

I know I've been tripped up by these archaic terms before.


I'm not a radio circuit designer but detectors circuits are designed for
a certain situation and will not produce the expected output if the
expected input conditions do not exist. All RF carrier and sidebands
(tones) are an alternating wave forms. To recover the AM modulated
information the sideband tones are rectified and averaged, which is the
low frequency audio modulation. The sideband tones are usually much
lower than the carrier but the detector rectifies all of these signals.
For the detector design a minimum signal level is required for it to
rectify the side band tones and the designs have depended on the carrier
to be there so that the detector is switching on and off into the liner
region of the diode. If the carrier is not there then the sideband tone
signal is switching the diode on and off resulting in a lot of
distortion.

The sync detection uses a PLL circuit to lock a local oscillator to the
received carrier and that is summed with the received carrier and side
band tones so that when the received carrier disappears due to selective
fading the locked local oscillator signal is enough to keep the detector
operating in its liner region with just the side band tones present.

The same thing happens using a BFO or when you switch to SSB mode on a
radio but here the local oscillator is not locked to the received
carrier and you have to tune the radio very carefully to get it spot on
the received carrier frequency so the side tones are reproduced at the
original modulation audio frequencies.

Before sync detection circuit designers would use diodes with smaller
non-liner switching regions using germanium for example with lower
forward voltages. These diodes would need less signal power to turn on
and off into the liner region of it operating curves so less energy from
the carrier would be needed to keep the detector in its liner region.
This is a help when the received carrier only fades a little but does
not help if fades a lot or disappears.

Some detector designs would use a DC bias on the diode to put it on the
edge of its liner region to improve its small signal sensitivity. The
optimum bias voltage will depend on the diode characteristics.

--
Telamon
Ventura, California

[email protected] July 28th 06 10:13 PM

Interesting article on fading distortion
 

David wrote:
On 26 Jul 2006 23:00:58 -0700, wrote:



It is an interesting idea, but nobody builds LCR filters. Rather, you
use the LCR filter as a prototype, then build a leapfrog active filter
from signal flow graphs based on the physical LCR filter.


Really? What kind of filters does the Drake R8 series use?


As a demod filter? I would image a low order active filter to clean
things up. Remember, this is the audio band, not RF. I've seen some
write ups on 455khz IFs being done with active filters.

Kiwa sells an active filter for 455Khz
http://www.kiwa.com/kiwa455.html

Note the AR7030 has "tone controls", so certainly it has an active
filter past the demod. The problem with building LCR filters in the
audio band is they are bulky, not to mention often inaccurate. With
active filters, you have more flexibility over component values.


[email protected] July 28th 06 11:26 PM

Interesting article on fading distortion
 

wrote:

As a demod filter? I would image a low order active filter to clean
things up. Remember, this is the audio band, not RF. I've seen some
write ups on 455khz IFs being done with active filters.

Kiwa sells an active filter for 455Khz
http://www.kiwa.com/kiwa455.html

Note the AR7030 has "tone controls", so certainly it has an active
filter past the demod. The problem with building LCR filters in the
audio band is they are bulky, not to mention often inaccurate. With
active filters, you have more flexibility over component values.


Drake uses an LC filter in the IF. They "Get away" with it becuase of
the
lower IF they use. R390s, original not the R390A, and the R392 use
several staged of LC filters and have excellent skirts.

The Kiwa filter you refference is not a "active filter", but a ceramic
filter
with amplification. To me active filter means opamp or norton amp
with feedback to control pass/reject charactoristics. The premium Kiwa
unit is nearly as good as a crystal or mechanical filter and MUCH
easier
to connect. I installed one in a friends R2000 and was impressed by
the quality and how well it worked.

A big advantage of passive LC filters is they are much less "fussy"
then active filters. I like not having to mess with power and proper
bypassing.
And if you are willing to wind your own torroids, it is pretty easy to
get the
L very close to what you want. The C can be built with standard value
caps in parallel.


The Tone-Tilt filter I used in all 3 of our R2000s is active because it
would be
VERY difficult to use LC filters effectively.

Terry


[email protected] July 29th 06 12:20 AM

Interesting article on fading distortion
 

wrote:
As a demod filter? I would image a low order active filter to clean
things up. Remember, this is the audio band, not RF. I've seen some
write ups on 455khz IFs being done with active filters.

Kiwa sells an active filter for 455Khz
http://www.kiwa.com/kiwa455.html

Note the AR7030 has "tone controls", so certainly it has an active
filter past the demod. The problem with building LCR filters in the
audio band is they are bulky, not to mention often inaccurate. With
active filters, you have more flexibility over component values.


For an example of what I consider to be a very usefull filter, please
look at:
http://members.tripod.com/roymal/ReverbTone.htm

With minor component value chages, it is easy to get more or less
cut/booast and/or frequency range.

Please note that I had nothing to do with this page, I found it
usefull.

Terry


Carter, k8vt July 29th 06 01:42 AM

Interesting article on fading distortion
 
wrote:

Dallas Lankford has done some serious research on the cause and cure
of/for
the distortion caussed by ionospheric "hops".


Interesting! In the RTTY world, this is known as selective fading.
Usually an o'scope is used as a tuning indicator, one set of deflection
plates being connected to the "mark" signal and the other set of
deflection plates being connected to the "space" signal, giving the
classic "cross" display (looks like a 'plus' sign on the screen).

The mark and space signal generally used to be 850 Hz apart, commercial
press stuff 425 Hz apart and most of the stuff today using a 170 Hz shift.

During disturbed ionospheric conditions, you would see this selective
fading come into play; i.e., either the mark or space would fade to
nothing while the other signal was solid--even though they were only 170
Hertz apart.

dxAce July 29th 06 12:43 PM

Interesting article on fading distortion
 


"Carter, k8vt" wrote:

wrote:

Dallas Lankford has done some serious research on the cause and cure
of/for
the distortion caussed by ionospheric "hops".


Interesting! In the RTTY world, this is known as selective fading.


Gee! In the SWL'ing world, this is known as selective fading.

Who woulda thunk it.

It's multipath distortion.

dxAce
Michigan
USA



bm July 29th 06 01:28 PM

Interesting article on fading distortion
 
Well, it works.

I have been playing with the ELPAF since last autumn; first on my
R-390A, which, despite having done the AF Deck mod, does have its
quirks with regard to audio quality. The ELPAF cleaned up audio
admirably. Mostly doing MW DX then. Then, this summer together with a
modified IC-703 mostly on SW. It practically eliminates the distortion
caused by fades, as well as high-frequency hiss and noise giving an
audibly better signal to noise ratio. The trade-off is of course a
more limited audio response. Personally I can live with that - I never
use bandwidths wider than 6-7 kHz anyway. My ELPAF has a bypass switch
so it is easy to compare audio quality.

I used to have an SE-3 as well, and enjoyed the excellent audio it
produced. The ELPAF does little less with regard to audio recovery. I
am thinking about doing an A-B comparison between the two later on.

BM


Frank Dresser July 29th 06 06:36 PM

Interesting article on fading distortion
 

"Telamon" wrote in message
...

[snip]


Some detector designs would use a DC bias on the diode to put it on the
edge of its liner region to improve its small signal sensitivity. The
optimum bias voltage will depend on the diode characteristics.


There's a linear region in the usual model of a semiconductor diode (a fixed
voltage drop with a series resistance), but that model is only an
approximation. The other model, the square law model, is also just an
approximation, although it's supposed to be close enough over small parts of
the curve.

However, the diode doesn't have to be linear in order to have a fairly
linear diode detector circuit. Imagine we have a diode whose forward
resistance drops in a square law with the voltage. At 0.1V the forward
resistance is 1 meg. At 0.2V the forward resistance is 1K. At .0.3V the
forward resistance is 32 ohms. At 0.4V the resistance is 5.6V, and so on.

Now, let's put this nonlinear diode in series with a linear load resistance
and decide that the circuit is pretty much linear once the diode resistance
drops to 10% of the load resistance. Well, it's obvious that diode detector
circuits which work into higher resistance loads will linearize themselves
at lower voltages than diode detectors which work into lower resistance
loads.

Below a certain voltage, the diode's non linear characteristics will
dominate the detector. Low voltage signals will have much more of their
waveform in this funky reigion than high voltage signals, even at the same
modulation index.

So, as I see it, there's alot more to know about a diode detector's audio
distortion than only the modulation index. There's the actual
characteristics of the diode, the resistance of the load and the signal
voltage the detector is operating at.

There's also the RF filtering, which will tend to "sawtooth" the audio a
bit, much as the rectifier and capacitor do in a power supply. There's also
some resistances/capacitances in the AVC line.

But I could be wrong. If so, let me know!

Frank Dresser






[email protected] July 29th 06 06:54 PM

Interesting article on fading distortion
 

wrote:
wrote:

As a demod filter? I would image a low order active filter to clean
things up. Remember, this is the audio band, not RF. I've seen some
write ups on 455khz IFs being done with active filters.

Kiwa sells an active filter for 455Khz
http://www.kiwa.com/kiwa455.html

Note the AR7030 has "tone controls", so certainly it has an active
filter past the demod. The problem with building LCR filters in the
audio band is they are bulky, not to mention often inaccurate. With
active filters, you have more flexibility over component values.


Drake uses an LC filter in the IF. They "Get away" with it becuase of
the
lower IF they use. R390s, original not the R390A, and the R392 use
several staged of LC filters and have excellent skirts.


Except we are not talking about IF filters .The "fading" filter is at
the end of the chain, i.e. past the demod.


The Kiwa filter you refference is not a "active filter", but a ceramic
filter
with amplification. To me active filter means opamp or norton amp
with feedback to control pass/reject charactoristics. The premium Kiwa
unit is nearly as good as a crystal or mechanical filter and MUCH
easier
to connect. I installed one in a friends R2000 and was impressed by
the quality and how well it worked.

A big advantage of passive LC filters is they are much less "fussy"
then active filters. I like not having to mess with power and proper
bypassing.
And if you are willing to wind your own torroids, it is pretty easy to
get the
L very close to what you want. The C can be built with standard value
caps in parallel.


Except this is at audio frequencies, where the component sizes are much
larger. Again, this is not at IF frequencies.




The Tone-Tilt filter I used in all 3 of our R2000s is active because it
would be
VERY difficult to use LC filters effectively.

Terry



Telamon July 29th 06 08:13 PM

Interesting article on fading distortion
 
In article ,
"Frank Dresser" wrote:

"Telamon" wrote in
message

.com...

[snip]


Some detector designs would use a DC bias on the diode to put it on
the edge of its liner region to improve its small signal
sensitivity. The optimum bias voltage will depend on the diode
characteristics.


There's a linear region in the usual model of a semiconductor diode
(a fixed voltage drop with a series resistance), but that model is
only an approximation. The other model, the square law model, is
also just an approximation, although it's supposed to be close enough
over small parts of the curve.

However, the diode doesn't have to be linear in order to have a
fairly linear diode detector circuit. Imagine we have a diode whose
forward resistance drops in a square law with the voltage. At 0.1V
the forward resistance is 1 meg. At 0.2V the forward resistance is
1K. At .0.3V the forward resistance is 32 ohms. At 0.4V the
resistance is 5.6V, and so on.

Now, let's put this nonlinear diode in series with a linear load
resistance and decide that the circuit is pretty much linear once the
diode resistance drops to 10% of the load resistance. Well, it's
obvious that diode detector circuits which work into higher
resistance loads will linearize themselves at lower voltages than
diode detectors which work into lower resistance loads.

Below a certain voltage, the diode's non linear characteristics will
dominate the detector. Low voltage signals will have much more of
their waveform in this funky reigion than high voltage signals, even
at the same modulation index.

So, as I see it, there's alot more to know about a diode detector's
audio distortion than only the modulation index. There's the actual
characteristics of the diode, the resistance of the load and the
signal voltage the detector is operating at.

There's also the RF filtering, which will tend to "sawtooth" the
audio a bit, much as the rectifier and capacitor do in a power
supply. There's also some resistances/capacitances in the AVC line.

But I could be wrong. If so, let me know!


I don't anything wrong with what you wrote but you seem to think that
the diode used makes no difference because you can make it up its
deficiencies with an amplifier whose input impedance and gain adjusts
for it. Basically that is true that you can use a less efficient diode
but you will have to provide higher signal levels to it and weak
signals will still be distorted due to compression. I suppose you could
use a logarithmic type amplifier following the detector in order to make
up for the compression.

If you look at the diode curves germanium has one of the better forward
current to input voltage ratios of several diode types. Not being a
radio designer my approach would be to use a diodes fairly liner region
with a better forward current to input voltage ratio where the least
distortion and compression would be due to it and therefor the least
needed correction to be made up for by a amplifier with a fixed
correction. Another reason to use a more efficient diode besides the
signal level power needed is the power the diode itself burns when you
bias the diodes with larger forward voltage junctions.

--
Telamon
Ventura, California

Frank Dresser July 30th 06 05:02 AM

Interesting article on fading distortion
 

"Telamon" wrote in message
...

I don't anything wrong with what you wrote but you seem to think that
the diode used makes no difference because you can make it up its
deficiencies with an amplifier whose input impedance and gain adjusts
for it.


I don't think we disagree on anything important, but I wanted to say that,
after a point, it won't make any practical difference to the distortion of
the detector if a diode has a linear region or a very non linear square law
region. The resistance of the load soon dominates the characteristiscs of
the circuit.

The rest of my reply was mostly aimed at the original article's contention
that a diodes distortion level can be derived from only from a diode's
presumed square law characteristics and the modulation index.

Basically that is true that you can use a less efficient diode
but you will have to provide higher signal levels to it and weak
signals will still be distorted due to compression. I suppose you could
use a logarithmic type amplifier following the detector in order to make
up for the compression.


I suppose, but I don't see any need. The distortion of the diode detector
can be quite low if it's driven at a proper level to minimize the the amount
of the waveform in the non linear region of the detector.


If you look at the diode curves germanium has one of the better forward
current to input voltage ratios of several diode types.


Right. A germanium diode would generally give less distortion and better
sensitivity than a silicon diode. More than that, there used to be a bunch
of specialized germanium diodes intended for radio audio detection, video
detection and such. It seems now it's 1N34A types.


Not being a
radio designer my approach would be to use a diodes fairly liner region
with a better forward current to input voltage ratio where the least
distortion and compression would be due to it and therefor the least
needed correction to be made up for by a amplifier with a fixed
correction. Another reason to use a more efficient diode besides the
signal level power needed is the power the diode itself burns when you
bias the diodes with larger forward voltage junctions.


Efficiency is a bigger consideration with crystal sets.

Frank Dresser



[email protected] July 30th 06 05:06 PM

Interesting article on fading distortion
 
wrote:
snip
Except we are not talking about IF filters .The "fading" filter is at
the end of the chain, i.e. past the demod.

snip
Except this is at audio frequencies, where the component sizes are much
larger. Again, this is not at IF frequencies.


Mr. Lankford's main concept is that by using a narrow enough IF filter,
a narrow filter with with a step attenuation skirt, and by offset
tunning to
only get the carrier and the desired sideband, and with a following
suitable AF LP fitler can do wonders. It is not magic, and doesn't work

with every receiver and under every condition. In the ret of this, and
all
future posts, I will simply call it "ELPAF".

I can say is that it is a usefull technique, and will even help when
used
premium receiver like an AOR7030 or R390, the filter can really reduce
the effects of "fading". With a modest receiver like the R2000 that has

been upgraded with a suitablely narrow IF filter, the results are
impressive.
With a "marginal" receiver like the ATS909/DX398 the results are
nothing
short of amazing.

Terry


David July 30th 06 05:19 PM

Interesting article on fading distortion
 
On 30 Jul 2006 09:06:34 -0700, wrote:

wrote:
snip
Except we are not talking about IF filters .The "fading" filter is at
the end of the chain, i.e. past the demod.

snip
Except this is at audio frequencies, where the component sizes are much
larger. Again, this is not at IF frequencies.


Mr. Lankford's main concept is that by using a narrow enough IF filter,
a narrow filter with with a step attenuation skirt, and by offset
tunning to
only get the carrier and the desired sideband, and with a following
suitable AF LP fitler can do wonders. It is not magic, and doesn't work

with every receiver and under every condition. In the ret of this, and
all
future posts, I will simply call it "ELPAF".

I can say is that it is a usefull technique, and will even help when
used
premium receiver like an AOR7030 or R390, the filter can really reduce
the effects of "fading". With a modest receiver like the R2000 that has

been upgraded with a suitablely narrow IF filter, the results are
impressive.
With a "marginal" receiver like the ATS909/DX398 the results are
nothing
short of amazing.

Terry

I used a similar technique with my R-390A. I'd tune one side of the
carrier and use the BFO to provide a local one. You have to back way
off on the RF gain as the 390A BFO is sort of weak.


dxAce July 30th 06 05:21 PM

Interesting article on fading distortion
 


wrote:

wrote:
snip
Except we are not talking about IF filters .The "fading" filter is at
the end of the chain, i.e. past the demod.

snip
Except this is at audio frequencies, where the component sizes are much
larger. Again, this is not at IF frequencies.


Mr. Lankford's main concept is that by using a narrow enough IF filter,
a narrow filter with with a step attenuation skirt, and by offset
tunning to
only get the carrier and the desired sideband, and with a following
suitable AF LP fitler can do wonders. It is not magic, and doesn't work

with every receiver and under every condition. In the ret of this, and
all
future posts, I will simply call it "ELPAF".

I can say is that it is a usefull technique, and will even help when
used
premium receiver like an AOR7030 or R390, the filter can really reduce
the effects of "fading". With a modest receiver like the R2000 that has

been upgraded with a suitablely narrow IF filter, the results are
impressive.
With a "marginal" receiver like the ATS909/DX398 the results are
nothing
short of amazing.


Almost sounds like the 'syncho-phase' detector on the R7/A. Use of a narrower
filter and tilting the passband control to either USB/LSB.

dxAce
Michigan
USA




N9NEO July 30th 06 05:28 PM

multipath distortion
 
Sorry for being such a RX newbie here. I guess I shoulda stayed awake
more during signals class. My expertise is very large switching and
resonant power supplies and transmitters.

So the multipath distortion causes fading of the carrier only?? This
makes some sense to me. A small set of the lower sideband frequencies
would also cause phase cancellation, but since the audio spectrum is
moving around so fast no one notices. I think I'm on the right track
here. So use another carrier slaved to the received carrier and you
get better reception during fade. Even if it wanders a few cycles
during fade you probably don't hear anyway. I guess that is how a sync
detector works.

I Imagine it would be a chore to build a sync detector from the ground
up, but I would also think it must have already been put into an ic
chip, no???

I like the link R2000swl posted to AmWindow for the precision full-wave
rectifier. I think I'll stick it on a pc board and give it a try. If
anybody wants a board let me know. They are very inexpensive.

bm, or anyone else, if you have good link to ELPAF or alternative RX
circuits then maybe I could throw that down on same board if not too
much room.

Details of board size at www.expresspcb.com I do the small one double
side and no silkscreen 3 boiards 60bucks.

You can contact me off board at

73
Bob
N9NEO





bm wrote:
Well, it works.

I have been playing with the ELPAF since last autumn; first on my
R-390A, which, despite having done the AF Deck mod, does have its
quirks with regard to audio quality. The ELPAF cleaned up audio
admirably. Mostly doing MW DX then. Then, this summer together with a
modified IC-703 mostly on SW. It practically eliminates the distortion
caused by fades, as well as high-frequency hiss and noise giving an
audibly better signal to noise ratio. The trade-off is of course a
more limited audio response. Personally I can live with that - I never
use bandwidths wider than 6-7 kHz anyway. My ELPAF has a bypass switch
so it is easy to compare audio quality.

I used to have an SE-3 as well, and enjoyed the excellent audio it
produced. The ELPAF does little less with regard to audio recovery. I
am thinking about doing an A-B comparison between the two later on.

BM



[email protected] July 30th 06 06:05 PM

multipath distortion
 
Back to the Future movie is on Radio tv.See if your radio has a Flux
Capacitor.According to the doc,that's what makes time travel possible.
Calling Art Bell,calling George Noory.I found the secret to time travel.
cuhulin


David July 30th 06 06:38 PM

multipath distortion
 
On 30 Jul 2006 09:28:29 -0700, "N9NEO"
wrote:

Sorry for being such a RX newbie here. I guess I shoulda stayed awake
more during signals class. My expertise is very large switching and
resonant power supplies and transmitters.

So the multipath distortion causes fading of the carrier only?? This
makes some sense to me. A small set of the lower sideband frequencies
would also cause phase cancellation, but since the audio spectrum is
moving around so fast no one notices. I think I'm on the right track
here. So use another carrier slaved to the received carrier and you
get better reception during fade. Even if it wanders a few cycles
during fade you probably don't hear anyway. I guess that is how a sync
detector works.

I Imagine it would be a chore to build a sync detector from the ground
up, but I would also think it must have already been put into an ic
chip, no???

I like the link R2000swl posted to AmWindow for the precision full-wave
rectifier. I think I'll stick it on a pc board and give it a try. If
anybody wants a board let me know. They are very inexpensive.

bm, or anyone else, if you have good link to ELPAF or alternative RX
circuits then maybe I could throw that down on same board if not too
much room.

Details of board size at www.expresspcb.com I do the small one double
side and no silkscreen 3 boiards 60bucks.

You can contact me off board at

73
Bob
N9NEO



http://users.adelphia.net/~alexmm/Prod_det/detector.htm


David July 30th 06 06:43 PM

multipath distortion
 
On 30 Jul 2006 09:28:29 -0700, "N9NEO"
wrote:

http://home.att.net/~wa1sov/technical/sync_det.html


[email protected] July 30th 06 08:45 PM

multipath distortion
 

David wrote:
On 30 Jul 2006 09:28:29 -0700, "N9NEO"
wrote:

http://home.att.net/~wa1sov/technical/sync_det.html


While this synchronous detector works quite well, there is a link
http://home.worldnet.att.net/~wa1sov/technical/allpass/allpass.html
to a filter that allows improved reception by "rejecting" signals other
then the desired signal. While this does improve reception, it isn't
quite as effective as some literature would suggest.

If you really interested in synch detectors, Tom Holden has an
excellent
page, http://groups.yahoo.com/group/Synch_AM/messages that has
some links to very good resources.

Terry


Tom July 30th 06 10:53 PM

multipath distortion
 

N9NEO wrote:
So the multipath distortion causes fading of the carrier only?? This
makes some sense to me. A small set of the lower sideband frequencies
would also cause phase cancellation, but since the audio spectrum is
moving around so fast no one notices. I think I'm on the right track


No, a simple 2-path is effectively a comb filter with the separation
between
frequencies of constructive and destructive interference determined by
the
difference in propagation delay. With enough delay, this separation can
be
much less than the bandwidth of the desired signal, causing multiple
cancellations within the passband. The delay difference is not a
constant
due to the roiling ionosphere so the frequencies at which destructive
interference occurs and their separations are constantly changing. The
severest form of distortion is when a cancellation occurs at the
carrier
frequency but if you have ever heard of 'flanging' in the recording
industry, you'll know what the interference effect can be when a
cancellation occurs in the sidebands. It is is very noticeable.

So use another carrier slaved to the received carrier and you
get better reception during fade. Even if it wanders a few cycles
during fade you probably don't hear anyway. I guess that is how a sync
detector works.


That's basically it.

Tom


N9NEO July 30th 06 10:59 PM

multipath distortion
 
Thanks Terry, I just signed up.

regards,
Bob


wrote:
David wrote:
On 30 Jul 2006 09:28:29 -0700, "N9NEO"
wrote:

http://home.att.net/~wa1sov/technical/sync_det.html

While this synchronous detector works quite well, there is a link
http://home.worldnet.att.net/~wa1sov/technical/allpass/allpass.html
to a filter that allows improved reception by "rejecting" signals other
then the desired signal. While this does improve reception, it isn't
quite as effective as some literature would suggest.

If you really interested in synch detectors, Tom Holden has an
excellent
page, http://groups.yahoo.com/group/Synch_AM/messages that has
some links to very good resources.

Terry



Telamon July 30th 06 11:05 PM

Interesting article on fading distortion
 
In article .com,
wrote:

wrote: snip
Except we are not talking about IF filters .The "fading" filter is
at the end of the chain, i.e. past the demod.


snip

Except this is at audio frequencies, where the component sizes are
much larger. Again, this is not at IF frequencies.


Mr. Lankford's main concept is that by using a narrow enough IF
filter, a narrow filter with with a step attenuation skirt, and by
offset tunning to only get the carrier and the desired sideband, and
with a following suitable AF LP fitler can do wonders. It is not
magic, and doesn't work with every receiver and under every
condition. In the ret of this, and all future posts, I will simply
call it "ELPAF".

I can say is that it is a usefull technique, and will even help when
used premium receiver like an AOR7030 or R390, the filter can really
reduce the effects of "fading". With a modest receiver like the R2000
that has

been upgraded with a suitablely narrow IF filter, the results are
impressive. With a "marginal" receiver like the ATS909/DX398 the
results are nothing short of amazing.


Any time you narrow the frequency range with a filter you lower the
noise floor possibly making the faded carrier large enough so the
detector does not greatly distort the audio.

--
Telamon
Ventura, California

[email protected] July 31st 06 01:36 AM

Interesting article on fading distortion
 

wrote:
wrote:
snip
Except we are not talking about IF filters .The "fading" filter is at
the end of the chain, i.e. past the demod.

snip
Except this is at audio frequencies, where the component sizes are much
larger. Again, this is not at IF frequencies.


Mr. Lankford's main concept is that by using a narrow enough IF filter,
a narrow filter with with a step attenuation skirt, and by offset
tunning to
only get the carrier and the desired sideband, and with a following
suitable AF LP fitler can do wonders. It is not magic, and doesn't work

with every receiver and under every condition. In the ret of this, and
all
future posts, I will simply call it "ELPAF".


My point still holds in that nobody serious builds LCR filters for
auido (speaker crossovers exempted). His LCR filter IS in the audio
chain, not the IF.




I can say is that it is a usefull technique, and will even help when
used
premium receiver like an AOR7030 or R390, the filter can really reduce
the effects of "fading". With a modest receiver like the R2000 that has

been upgraded with a suitablely narrow IF filter, the results are
impressive.
With a "marginal" receiver like the ATS909/DX398 the results are
nothing
short of amazing.

Terry



[email protected] July 31st 06 12:22 PM

Interesting article on fading distortion
 

wrote:
wrote:
snip


My point still holds in that nobody serious builds LCR filters for
auido (speaker crossovers exempted). His LCR filter IS in the audio
chain, not the IF.


Your comment that "nobody serious" is so off base as to be asiniine.
Dallas Lankford is clearly one of most serious DXers alive today.
Why not take a look at all the technical information at
http://www.kongsfjord.no/dl/dl.htm
before jumping to silly conclussions.

Terry


[email protected] July 31st 06 09:51 PM

Interesting article on fading distortion
 

wrote:
wrote:
wrote:
snip


My point still holds in that nobody serious builds LCR filters for
auido (speaker crossovers exempted). His LCR filter IS in the audio
chain, not the IF.


Your comment that "nobody serious" is so off base as to be asiniine.
Dallas Lankford is clearly one of most serious DXers alive today.
Why not take a look at all the technical information at
http://www.kongsfjord.no/dl/dl.htm
before jumping to silly conclussions.

Terry


I've done (as in been paid for) filter design in telecom/datacom
applications, including elliptic filters, delay equalizers, etc. I know
of what I speak.

There is a leapfrog design on this page if you want to educate
yourself:
http://www.filter-solutions.com/active.html


[email protected] July 31st 06 10:40 PM

Interesting article on fading distortion
 

wrote:


I've done (as in been paid for) filter design in telecom/datacom
applications, including elliptic filters, delay equalizers, etc. I know
of what I speak.

There is a leapfrog design on this page if you want to educate
yourself:
http://www.filter-solutions.com/active.html


I give up, you win.
Only idoits and fools would bother to build any passive
AF fitlers. Please build all the active ELPAF filters your
heart desires. I made the mistake of assuming you where
a serious SWL.

I bet you would find the thought of building a clipper to limit
the AF level to a set of earphones with something as simple
as a couple of parallel 1N4004 diodes and a series resistor
so repulsive as to nearly make yo puke.

I can hear it now, "Oh My God, how simple."

I bet you could whip up a active limiter that would achieve
+/-0.0001dB clipping accuracy.

Too bad you make Cuhulin seem reasonable.

I can't PLONK you with Google beta, but I damn sure will ignore
your posts.

Terry


[email protected] August 1st 06 04:27 AM

Interesting article on fading distortion
 
Hey, is idoit something like an idiot?

Your reaction is bizzare to say the least, but plonk away.

wrote:
wrote:


I've done (as in been paid for) filter design in telecom/datacom
applications, including elliptic filters, delay equalizers, etc. I know
of what I speak.

There is a leapfrog design on this page if you want to educate
yourself:
http://www.filter-solutions.com/active.html


I give up, you win.
Only idoits and fools would bother to build any passive
AF fitlers. Please build all the active ELPAF filters your
heart desires. I made the mistake of assuming you where
a serious SWL.

I bet you would find the thought of building a clipper to limit
the AF level to a set of earphones with something as simple
as a couple of parallel 1N4004 diodes and a series resistor
so repulsive as to nearly make yo puke.

I can hear it now, "Oh My God, how simple."

I bet you could whip up a active limiter that would achieve
+/-0.0001dB clipping accuracy.

Too bad you make Cuhulin seem reasonable.

I can't PLONK you with Google beta, but I damn sure will ignore
your posts.

Terry




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