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Old June 17th 08, 03:10 AM posted to rec.radio.shortwave
D Peter Maus D Peter Maus is offline
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First recorded activity by RadioBanter: Jul 2006
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Default What's an EKKO Stamp ? - AM/MW Radio Reception Verification Reports

Telamon wrote:
In article ,
"David Eduardo" wrote:

"dave" wrote in message
...
Why not just record the station as proof you received it?

EKKO stamps ended after The War, and until the 60's, recording was
impractical. In fact, even in the 60's it was not a good idea... most tapes
made in that era deteriorated rapidly. Most of my prized audio IDs did not
make it into a more advanced media as the tape flaked... some nice ones like
HCRE1 855 and CX28 were lost that way, although verified by letter or card.


There were wire recorders. Very durable. You could also record on vinyl
records.


I have a pair of Webster wire recorders. One, I bought at a local
junk shop and spent a year restoring. The other, I got from my
grandfather. Along with a rack of wire spools. Some dating as far back
as the Truman inauguration with some very cool recordings of shows like
the Sealtest Variety Theatre, Yours Truly, Johnny Dollar, Have Gun Will
Travel, and the Stan Freberg Show. I still find spools of wire at
antique shows, flea markets and junk shops. Always a bit of an adventure
to hear the audio.

Print-through is less of an issue, and the wire definitely doesn't
slough off magnetic material. But they are susceptible to elevated noise
from stray magnetic fields. So, storage environment is as important as
it is with tape.

I've also got a couple of disc recorders. And an armload of home-made
records. As well as some made in drug store recording kiosks. They're
not quite as archivally stable as they may seem. Many are not vinyl, but
acetate on an aluminum substrate. The acetate breaks down, becomes
brittle, often lifts from the substrate, or shrinks. And the low quality
vinyl used also tends to be less stable over time than that used more
recently.

I've spent a lot of hours recovering audio from wire and disc
recordings, for friends and colleagues. Sometimes, all you get is one
pass before there is too much damage to continue with the discs. And
magnetically contaminated wire will often develop a whining noise mixed
with the audio as it passes through the head. So a very great deal of
care is required when handling these recordings.

By far, the wire recordings are a lot easier to handle without damage.

Both may be more durable than tape, but they're not for casual
listening after long spans of time.

One careless pass, and the recording may be irretrievably lost.