NEC
On Wed, 15 Oct 2014 13:29:34 -0500, Lostgallifreyan
wrote: Belay those. No-one beats the Welsh! Llanfairpwllgwyngyllgogerychyrndrobwllantysiliogo gogoch The world's supply of space characters is limited, finite, and is rapidly being depleted by exessive consumption through wasteful practices such as double spaced lines, putting two spaces after each period, and kerning. Eventually, we will run out of space characters and AllTheWordsWillRunTogether. Otherwise, think small and purchase a new keyboard with a working space bar. Space, the final fiasco. -- Jeff Liebermann 150 Felker St #D http://www.LearnByDestroying.com Santa Cruz CA 95060 http://802.11junk.com Skype: JeffLiebermann AE6KS 831-336-2558 |
NEC
Oregonian Haruspex wrote in
: Writing software is generally one of the most frightfully boring tasks that one can possibly do. True, but the payoff is amazing at times. I'm coding a phase modulation synthesiser based on Yamaha's DX7, with months full on, then slightly less months full-off, as the only way to get free of it, and to come back at it and see it as another person would, because I work entirely alone. Now, it si tough, for sure, never mind 'Doctor's hours', try 'Edison's hours', sometimes missing out whole days and nights of rest to see somethign through. Nothing has ever imposed discipline on me like my want to make this happen, I taught myself more than a childhood of schooling, by magnitudes, not multiples. Now, the payoff... WHen I got past basic principles of audio and MIDI on a PC, logarithms and bitshifts and lookup tables foe speed, etc, designed my own realtime interpolator for MIDI data and got the pitch control engine taking linear signals for log domain calculations, the response of pitch over ten octaves is swift and clean, NO digital zipper noise whatsoever despite a mere 7 bits avalaible to direct the sweep, regardless of speed. MIDI is usually scorned for failure to acheive this, but I did it, and you'd be hard pressed to find a commercially available synthesier that can do this. I have a good 'analog' simulation, and a realtime variable non-linear compression and expansion method capable of extremely realisting imitations of horn and string sounds. This instrument has polyphony and multitimbrality enough to allow composition for a small symphony orchestra. It's too off-topic for me to go on here any further, but I hope this is enough to convey the reality: that writing software, while almost insufferably tedious at times, can lead to long moments of exhilaration like orbital flight, it feels like achieving the building of a space shuttle in a back yard. To be able to play a moderately realistic piano, knowing that every part of its existence except the host machine and the coding language used, is beyond parallel, at least for me. I think if Bach or Beethoven had been sent a time machine with a message to the effect that they could have had this, they'd have got in and things might have been very diferent for music. :) On the other hand, it is because of what they did do that this is possible at all... |
NEC
Oregonian Haruspex wrote in
: screwing about with finding libraries I hated that part too. I looked for MIDI library code for years, on and off, then when I finally bit the bullet and learned the core Win32 API and C, and callback functions, etc, I found I had full control. I ended up with ALL that I needed, within about a month. Finding libraires is overrated. I like to build mine. I started learning about pointer iteration and dereferencing and buffer overflows by building my own fast and safe string concatenation function based on Theo de Radt (of OpenBSD, known for high security coding). In many cases like these, I found that all the 'learning' in the world will never cut to the chase as effectively as deducing what is to be done, what is closest to doing it that is within reach, and adapting it directly. If done thoroughly, by good effort to explore the possibilities that arise instead of copying chunks like a script kiddie, the learning is also thorough, and the code will become your own. Real satisfaction comes from that, enough to counterpoise the neat reach. |
NEC
Oregonian Haruspex wrote in
: How much control do you have over the design of an antenna you are designing? Some to lots, depending on your budget and the space available. I'll risk pre-empting his existing reply with my own take on this... I think what Jim is getting at is that modelling gives you control over what you CAN manage to do, much more easily than you can get control on what is beyond your easy reach. So you might as well do it anyway, and adjust the model for anything obvious that can be added into it. Broad strokes will get fine results if placed well (as many artists have shown for centuries). |
NEC
Oregonian Haruspex wrote in
: So you take your rough model and start trying to account for trees, the local topography, and pretty soon it's two years later and you haven't even bought your antenna supplies let alone run the coax because you're still trying to account for what happens when the geese fly over the antenna in November. This is true too, my take on it is to make something basic and faster than modelling it would be, to eliminate any 'plans' that were doomed to go agley from the off... This discussion of whether modelling is good or not is circular, how can it end? It's like those interminable arguments about light having to be a wave, or a particle, when it's now clear it is neither, but is a 'thing' that can appear as either, or even both. So instead of setting each method against each other, make them co-operate, use their complementarity. If it works for quantum physicist, it ought to work for us, metaphor or not. |
NEC
On 15/10/2014 19:29, Lostgallifreyan wrote:
Lostgallifreyan wrote in : Perhaps we need some organic chemists to compete, or a writer of a German operating manual... Belay those. No-one beats the Welsh! Llanfairpwllgwyngyllgogerychyrndrobwllantysiliogog ogoch I pulled that from memory, I kid you not, but I won't vouch for flawless spelling. There might be whole syllab;les missing... The New Zealanders do with a hill called "Taumata*whakatangihanga*koauau*o*tamatea*turi*puk akapiki*maunga*horo*nuku*pokai*whenua*kitanatahu" "The summit where Tamatea, the man with the big knees, the climber of mountains, the land-swallower who travelled about, played his nose flute to his loved one". .... and no it's not from memory, I had to google it to get it correct. Andy |
NEC
AndyW wrote in
: The New Zealanders do with a hill called "Taumata*whakatangihanga*koauau*o*tamatea*turi*puk akapiki*maunga*horo*nuk u*pokai*whenua*kitanatahu" Ah, I did learn last night someone had pipped them, now I know who. :) Thanks. |
NEC
"Brian Reay" wrote in message
... He always preached that 'real hams' should write their our software and he claims to be a software engineer. You were the one who was sacked as a software specialist a very short time after changing jobs in the warmongering industry. Perhaps he could take a break from his busy Freecell playing schedule One of the ways to encourage newcomers is to discuss quite openly what we do, including the pratfalls that we have, in order to show those newcomers that there is nothing to be ashamed of. Despite your claim to have been let go as a schoolteacher, you do not behave as someone who encourages newcomers, insofar as you regularly sneer at such descriptions, probably doing more to discourage rather than encourage newcomers in passing. Keeping mentally active, it is true that I usually have a game of Freecell in the background, although some games do not get much attention and can lurk on the screen for days. and develop his own antenna modelling package. I'm working through a treatise of the NE Code at the moment. I am sure another slight delay in his 18 year project to build a receiver can stand another slippage, Plans to build a top-of-the-line RX suffer slippage when new technology comes along; but several other projects have been complete in recent years, notably a chinese copy of a vibroplex. But in your haste to sneer, you are being reckless as to the truth, for the dream of building my own RX goes back 50 years, and not 18. it will make a change from the much reused excuse of 'gear hobbing' problems. I've been quite open that I wanted an Eddystone-type dial, and being a complete do-it-yourselfer, wanted to have a go at hobbing the gears myself, especially as I have produced software in the past 5 years to supoprt the leading amateur gear cutter in England in order to calculate the drive train ratios for cutting helical gears. (Non-integer ratios, needing to be accurate to an 8th place of decimals). So, I thought I'd have a go at producing a gear hobbing attachment for my milling machine, and that involved quite a bit of electronics. As I has reported, the assembly was not rigid enough to deal with the 200 tooth gears, but it was 18 months of technicalo experimentation and dabbling. Once again, i encourage newcomers by discussing what I do whereas you put them off by sneering at experimentation. This Rx must have more gears than my Rolex. What a silly infantile comment! You seem to be obsessed with directing abusive slurs in my direction, many of which are not relevant to the subject of discussion. What is it that compels you to make a fool of yourself by coming across as a child in the school playground mouthing off insults? |
NEC
"Oregonian Haruspex" wrote in message
... Writing software is generally one of the most frightfully boring tasks that one can possibly do. Au contraire, it is one of the most mentally stimulating, have an idea, jot down a prototype, and within the initial surge of excitement of creativity, you get success, which then goes on to feed your excitement. Get a circuit idea, and it can be a couple of hours before you can check it out. Do some machining, and it can take a whole week just to work out how to hold the workpiece in readiness for cutting! |
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