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#1
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w9gb wrote:
"Scott Dorsey" wrote in message ... Richard Knoppow wrote: Surprizingly, RCA conectors are pretty good at RF, in fact, that is what they were originally designed for, they just are not mechanically strong. RCA connectors were designed to be cheap. Yes, they were intended for internal connections (both RF and audio) in radio/phonograph consoles in the thirties, but that's not to say they are constant impedance in any way. If you see an RCA connector on an antenna input, you can _probably_ assume it wants to see a high-impedance longwire antenna. You may get better results from a 50 ohm source with some matching. Then again, maybe not. --scott Scott - Where is the empirical or engineering data to support this conclusion? Collins did do the frequency sweeps -- and it out performed many of the alternatives at that time -- if it didn't Art Collins would have never used the connector (BNC was available at the time). w9gb Say, didn't the Heathkit "lunchbox" AM transceivers use RCA phono connectors as an antenna conection? Those lunchboxes operated into low impedance 50 ohm loads all the way up to 148 mcs. K9FH -- Important note: When replying to my e-mail please delete the words, "nospam" and ".gov" from my e-mail address. |
#2
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BAP wrote:
Where is the empirical or engineering data to support this conclusion? Collins did do the frequency sweeps -- and it out performed many of the alternatives at that time -- if it didn't Art Collins would have never used the connector (BNC was available at the time). Look at it as a simple tube... look at the outside diameter of the shield and the inside diameter of the center conductor and plug and chug using the formulae in the ITT Radio Engineer's Handbook for coaxial conductors. You get something around 95 ohms characteristic for the front part of the connector (from the insulator forward). The back part of the connector is less important but ou have an additional discontinuity from the ring around the insulator. Say, didn't the Heathkit "lunchbox" AM transceivers use RCA phono connectors as an antenna conection? Those lunchboxes operated into low impedance 50 ohm loads all the way up to 148 mcs. Yup! And the truth is, you can away with pretty lousy connectors in most antenna applications. But put a pulse generator and a scope in place of the transmitter and you'll see discontinuities at the connector points. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#3
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![]() "Scott Dorsey" wrote in message ... BAP wrote: Where is the empirical or engineering data to support this conclusion? Collins did do the frequency sweeps -- and it out performed many of the alternatives at that time -- if it didn't Art Collins would have never used the connector (BNC was available at the time). Look at it as a simple tube... look at the outside diameter of the shield and the inside diameter of the center conductor and plug and chug using the formulae in the ITT Radio Engineer's Handbook for coaxial conductors. You get something around 95 ohms characteristic for the front part of the connector (from the insulator forward). The back part of the connector is less important but ou have an additional discontinuity from the ring around the insulator. Say, didn't the Heathkit "lunchbox" AM transceivers use RCA phono connectors as an antenna conection? Those lunchboxes operated into low impedance 50 ohm loads all the way up to 148 mcs. Yup! And the truth is, you can away with pretty lousy connectors in most antenna applications. But put a pulse generator and a scope in place of the transmitter and you'll see discontinuities at the connector points. --scott This is undubtedly true- also for type UHF or type F. But why is a contant impedance connector important for an antenna input at HF? Or anywhere in an HF receiver? Even in a critical mixer application optimized for 50 Ohms, the small discontinuity at HF from an RCA plug is of no real world concern. Dale W4OP |
#4
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"Dale Parfitt" wrote in message
news:fNF8h.4412$9e.3072@trnddc02... This is undubtedly true- also for type UHF or type F. But why is a contant impedance connector important for an antenna input at HF? Or anywhere in an HF receiver? Even in a critical mixer application optimized for 50 Ohms, the small discontinuity at HF from an RCA plug is of no real world concern. Dale W4OP .... go up in frequency to land-mobile VHF and UHF and look at what GE and Motorola used for the optional pre-amps -- RCA (phono) jacks and plugs. This gets covered about every 18 months or so on the Collins list as newcomers -- make these pronouncements. I like the audio hobby with $ 40 Cardias caps for RCA jacks. http://www.cardas.com/content.php?ar...&product_id=29 Now there is a method to make money totally through marketing. http://www.cardas.com/content.php?ar...l e+Materials w9gb |
#5
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And those people actually believe this bovine effluence?
w9gb wrote: I like the audio hobby with $ 40 Cardias caps for RCA jacks. http://www.cardas.com/content.php?ar...&product_id=29 Now there is a method to make money totally through marketing. http://www.cardas.com/content.php?ar...l e+Materials w9gb |
#6
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On Wed, 22 Nov 2006 07:27:09 -0500, K3HVG wrote in :
And those people actually believe this bovine effluence? w9gb wrote: I like the audio hobby with $ 40 Cardias caps for RCA jacks. http://www.cardas.com/content.php?ar...&product_id=29 Now there is a method to make money totally through marketing. http://www.cardas.com/content.php?ar...l e+Materials Oh, _yeah_! I'm mildly tempted to sell a 3-wire power-grade equivalent of open-wire line, with ceramic insulators, for the betterment of my pocketbook at the expense of the audioph00ls. Make it out of #6 AWG solid copper, with an insulator every 6 inches or so, and market it as having carefully- controlled impedance at power-line frequencies. Yeah, that'd work -- and buzzwordifying the ad copy would only improve the sales. BA relevance: #6 AWG solid copper makes _sturdy_ Moxon rectangles at 2m and 6m, though it's a bit big. At 140 cm and 70 cm, #8 or #10 are a bit easier to work with. -- Segovia on his hatred of routine playing: I have to be present at every note I play. |
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