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On Jan 4, 6:54*pm, "Joel Koltner" wrote:
Hi Tom, "K7ITM" wrote in message ... ?? *So, "triplexor" to me means something with three bands, which you obviously won't do with just a high pass and a low pass. What I meant was... output of mixer to parallel connectors of (1) the crystal filter (bandpass) , (2) series inductor/resistor (low-pass), and (3) series capacitor/resistor (high-pass), hence, a triplexor. But I realize now that a duplexor is just as viable, consisting of a parallel connection of (1) the crystal filter (bandpass) and (2) a parallel LC resonsator in series with a resistor (bandstop). In any event, the goal is to keep a reasonably constant load on the mixer at all frequencies where it may have significant output. *The distortion generated by a mixer depends on the load it sees. Yeah, I see what you mean. *I should do some actual measurements to see just how much improvement is possible with a proper wideband termination... Well, as the second paragraph of my previous posting hints, a 50 ohm termination at all frequencies may actually not be optimal. There's no law of physics, as far as I know, that says the mixer's lowest distortion (especially distortion products that fall in the following filter's passband) happens when it's loaded by 50 ohms. If you set up to make some measurements, you may find that you actually get lower distortion at some other load impedance. Perhaps optimal for the mixer's performance would be a 50 ohm load in the filter passband, to maximize signal output, and, say, a short at all other frequencies. I'm not saying it IS that way for any given mixer, and perhaps not for ANY mixer, but it's a question worth pondering if you're looking for the best possible distortion performance. But then you'll find the next problem: the input impedance of the crystal filter will change dramatically, very quickly, in the region of its passband -- and likely will be capacitive on one side of the passband and inductive on the other side. Assuming it's a reflective design with low internal dissipation, by definition it must reflect out-of-band energy (and pass in-band energy to the load at the other end of the filter). Given that situation, how do you design a circuit that will maintain the load impedance you want for your mixer, for frequencies a little below the filter passband, in the filter passband, and a little above the filter passband? If you try to do it with inductors and capacitors, where do you get parts with high enough Q to allow the required extremely rapid change of impedance near the filter's center frequency? Or do you just accept that the distortion won't be optimized? Or do you throw away some of the signal and put in a bit of attenuation (a 50 ohm pad) between mixer and filter? Or do you go looking for the "Holy Grail": a buffer amplifier that runs on low power and offers good input and output return loss, a third order intercept that doesn't degrade further what the mixer has already done, and a good enough noise figure? The buffer amplifier can solve the matching problems (at least if you're happy with a constant load, e.g. 50 ohms, on the mixer), but it's not trivial to find an amplifier that will do what you need without introducing problems worse than the cure. As you think about all this stuff, it becomes easy to see why nobody has yet built the perfect receiver. ;-) Cheers, Tom Thanks for the help! ---Joel |
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