Home |
Search |
Today's Posts |
#10
![]() |
|||
|
|||
![]() "Radium" wrote in message oups.com... In TV, most systems employ a version of AM to carry the luminance (Y) signal; the color (chroma) information is carried via a somwhat different version of AM, and the audio is most commonly FM. The French SECAM system as originally implemented carried the chroma information on TWO frequency-modulated subcarriers. Why not carry the luminance-signal on FM and the audio-signal on AM? The reasons (primarily) behind using the AM visual and FM aural signals for television a Visual: Bandwidth. Visual uses what is called 'vestigial sideband'. This means that basically only one sideband carries the modulation, with only a vestige of the other sideband remaining, thereby reducing the bandwidth needed for the visual signal by a significant factor. If FM were used, the entire symmetrical waveform would have to be used, and would use a lot more bandwidth. (Analog satellite television does/did use FM modulation, on the order of 36 MHz IIRC, but bandwidth in the GHz ranges isn't at as much of a premium as on relatively crowded VHF and UHF frequencies Aural: Coverage. The aural signal (which is sent separately from the visual) is only about 10% of the power of the visual signal. |
Thread Tools | Search this Thread |
Display Modes | |
|
|
![]() |
||||
Thread | Forum | |||
VHF signals | Antenna | |||
Strange signals on 3.665 | Shortwave | |||
Need early catalogs and manuals for early video equipment .... love the old reel to reel video machines and cameras! Will buy manuals, the artifacts | Swap | |||
for sale video security professional video stuff | Swap | |||
weird FM signals | Broadcasting |