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On 14 Mar, 12:40, "Tom Donaly" wrote:
John E. Davis wrote: On Wed, 14 Mar 2007 09:09:27 -0800, Tom Donaly wrote: Different texts have Maxwell's equations in different order. What text did you get this from? Becker has it (in Gaussian CGS units) as div D = 4\pi\rho (where the backslash indicates multiplication, and D and rho have the usual meanings. You can add the 't' if you want to, but it's unnecessary. Also, since you're dealing in 3 dimensions, why not indicate them as in E(x,y,z), or E(x,y,z,t) (if the time means something to you)? I tend to write equations in LaTeX form as most people I exchange emails with mathematical equations use that for formatting mathematics. Here, \pi represents the greek letter pi, and \rho is the greek letter rho. I used x to represent a spatial 3-vector. I could have written it as (x,y,z) but I did not think this shorthand would cause any confusion given the context. The difference between E and D is not important here. If you use D, then \rho must be interpreted as the so-called "free" charge density. However, the fundamental field is E, and if you use it the \rho must be interpreted as the _full_ charge density. The relationship between E and D can be very complex and may well depend upon the strength of the applied field E. For simple materials a linear relationship is usually assumed, e.g., D = \epsilon E, where \epsilon is the dielectric constant of the medium. Also even here in this linear relationship, \epsilon need not be a scalar (a number). It could be a tensor (a 3x3 matrix), in which case D and E would not have the same direction. --John Thanks for explaining that, John. I am unfamiliar with the conventions of LaTex, obviously (I get my information from books that are generally older than I am, and I'm not young). I don't have any problem with Gauss' law being used in a non-static context. It applies, regardless. That's as far as I go in agreeing with Art, though, since I can't understand the rest of his theory, at all (but might if I could turn off the left side of my brain - maybe). 73, Tom Donaly, KA6RUH- Hide quoted text - - Show quoted text - Tom I was rereading this thread as to why people have a hard time in understanding Gauss's law with respect to conservative fields and a transition to a non conservative field where with the addition of time one can consider what is outside the enclosed surface. Since you pursued the mathematical side of the subject to a minor conclusion ( you stated you didn't understand what I was proposing) with John E Davis of M.I.T. I wish to share with you some notes on the Internet by David J Raymond called "a radically modern aproach" which to me is the best I have seen on Radiation in it's entirety. Obviously there is a lot written that as hams it is not essential reading for hams but what it does do is explain in a very clear way the mechanics of radiation with specific applications with respect to the transition from conservative fields ala Gaussian law of statics to non conservative fields where at the cessation of time one can reconcile what is outside the enclosed surface with that which is inside the surface where what is inside the enclosure is in equilibrium and the enclosing surface is frictionless. As can obviously seen a Yagi inside the enclosed border cannot be considered since at the cessation of time interaction between elements is still taking place after the cessation of time. The notes are so well written that one not conversant with upper math can still follow the implications of the discussion at hand and thus can be considered as recommended reading for all hams interested in antennas as a subject. It also gives a very clear mathematical progression from Gaussian law to the subject of non conservative fields can be formed with the activation of curl during a moment in time. It is this progression that leads designers to design around cluster arrays that are in equilibrium regardless of orientation ie without continuing coupling effects after the cessation of time and is very well chronicalled in the above stated notes. Best regards Art |
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