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Kenneth Scharf wrote:
Antonio Vernucci wrote: There are two other ways of handling the screen voltage in a modulated stage. The screen can be feed by a regulated voltage supply and a separate winding on the modulation transformer is used to modulate the screen. Unfortunately, as I had written, my transformer has a single secondary winding. A variation on this is to put an audio choke in series with the screen supply and to optionally couple the screen to the hot side of the plate modulator winding via a capacitor. Yes, I had seen that method too on the ARRL Handbook (as well as in the EIMAC booklet), but I was trying to avoid the bulk of an extra choke. Nevertheless, browsing the Internet, I found a dealer who sells 20H 50mA chokes of reasonable size at a reasonable price. So, I am getting more and more convinced that that is the way to go. Still, I would be interested to hear from someone who has actually tried that method. Thanks & 73. Tony I0JX You can also just ignore the issue and only apply modulation to the plate of the pentode/beam power tube. In theory you won't reach 100% modulation, however given that the screen input is a tiny fraction of the plate input you'll probably achieve somewhere between 95-99% modulation. You don't want to go over 100%, and unless you are using a speech compressor you won't ever hit 100% modulation peaks when properly set up anyway. Another idea would be to use a second low power modulation transformer with a separate amplifier feed off the same mike amp and with it's own level adjustment to only modulate the screen. You'd need two level adjustments in addition to the main mike gain control to set the proper levels for the high power plate modulator and the low power screen modulator. The screen modulator would only need to be a few watts, maybe single class A 6L6 or 6V6. I realize this is getting more complicated than just the choke in the screen circuit, but that's the beauty of home brew, trying things out just for the heck of it. |
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