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Old December 22nd 06, 03:23 AM posted to rec.radio.cb
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On 22 Dec 2006 02:46:43 GMT, Steveo wrote in
:

Frank Gilliland wrote:
The answer... the chip is most often used for gates and CVAs, not

compressors. Didn't I tell you to do your research?


Haha, I wish Frank lived down the road from me. He'd probably help me make
a clean sounding station. (clean is best imo)



Just make friends with the sound jock at your local dance hall. I ran
sound for a couple years and learned about ten times more about audio
than I did in college. I also drank about ten times more than I did in
college..... ::=burp=::



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Old December 22nd 06, 05:05 AM posted to rec.radio.cb
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On 22 Dec 2006 03:22:39 GMT, Steveo wrote in
:

Frank Gilliland wrote:
On 22 Dec 2006 02:46:43 GMT, Steveo wrote in
:

Frank Gilliland wrote:
The answer... the chip is most often used for gates and CVAs, not
compressors. Didn't I tell you to do your research?


Haha, I wish Frank lived down the road from me. He'd probably help me
make a clean sounding station. (clean is best imo)


Just make friends with the sound jock at your local dance hall. I ran
sound for a couple years and learned about ten times more about audio
than I did in college. I also drank about ten times more than I did in
college..... ::=burp=::

Nah, I have two friends that do the portable DJ thing and they don't know
dick about HF. They drink plenty while they're doing it too..I reckon
that's a perk tho.



I have noticed that most DJ's don't know squat about sound. Mixer
dudes for bands are a different breed.


Do you have a SSB 11 meter station anymore, Frank?



Absolutely. Right now I'm using that TRC-449 I got from Lance (where'd
he go these days?). It's probably not as much fun as your rig but then
I don't do DX on the CB. It just doesn't come in here very well.
Speaking of which, I took a trip to North Dakota a couple months ago.
As soon as I crossed the Rockies I heard the noise..... good god, it's
crappier on every channel than the single worst case I can remember
from Jacksonville, which was pretty noisy at times. How can anybody
talk over there -without- power?





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Old December 22nd 06, 05:20 AM posted to rec.radio.cb
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Default Thanks K7DYY...

Frank Gilliland wrote:
On 22 Dec 2006 03:22:39 GMT, Steveo wrote in
:

Frank Gilliland wrote:
On 22 Dec 2006 02:46:43 GMT, Steveo wrote in
:

Frank Gilliland wrote:
The answer... the chip is most often used for gates and CVAs, not
compressors. Didn't I tell you to do your research?


Haha, I wish Frank lived down the road from me. He'd probably help me
make a clean sounding station. (clean is best imo)

Just make friends with the sound jock at your local dance hall. I ran
sound for a couple years and learned about ten times more about audio
than I did in college. I also drank about ten times more than I did in
college..... ::=burp=::

Nah, I have two friends that do the portable DJ thing and they don't
know dick about HF. They drink plenty while they're doing it too..I
reckon that's a perk tho.


I have noticed that most DJ's don't know squat about sound. Mixer
dudes for bands are a different breed.

Do you have a SSB 11 meter station anymore, Frank?


Absolutely. Right now I'm using that TRC-449 I got from Lance (where'd
he go these days?). It's probably not as much fun as your rig but then
I don't do DX on the CB. It just doesn't come in here very well.
Speaking of which, I took a trip to North Dakota a couple months ago.
As soon as I crossed the Rockies I heard the noise..... good god, it's
crappier on every channel than the single worst case I can remember
from Jacksonville, which was pretty noisy at times. How can anybody
talk over there -without- power?

Hello Frank

Hrmm, copy the west east propagation flowing in... and it's always been
that way imo. Ever hear Ohio on that 449? (good radio btw)

--
Happy Holidays
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Old December 22nd 06, 06:20 AM posted to rec.radio.cb
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Default mopathetic likes 'em clean!


Steveo wrote:
Frank Gilliland wrote:
The answer... the chip is most often used for gates and CVAs, not

compressors. Didn't I tell you to do your research?


Haha, I wish Frank lived down the road from me. He'd probably help me make
a clean sounding station. (clean is best imo)

--
Happy Holidays


That's why he licks 'em

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Old December 22nd 06, 06:27 AM posted to rec.radio.cb
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Default N8WWM BEGS FOR STEVEO

N8WWM the fruit of hobby communications" said
That's why he licks 'em

Lick what? I'll rub your face on the blacktop dogie. Is that considered a
licking?

I'll give you a New Year beating if'n you'll hold your mouth right...it's
on my way to Michigan anyway.

Invite me again, asshat.

--
Keep yourself to yourself and
keep your bedroll dry.


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Old December 22nd 06, 07:28 AM posted to rec.radio.cb
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Posts: 432
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On 22 Dec 2006 05:20:05 GMT, Steveo wrote in
:

Frank Gilliland wrote:
On 22 Dec 2006 03:22:39 GMT, Steveo wrote in
:

Frank Gilliland wrote:
On 22 Dec 2006 02:46:43 GMT, Steveo wrote in
:

Frank Gilliland wrote:
The answer... the chip is most often used for gates and CVAs, not
compressors. Didn't I tell you to do your research?


Haha, I wish Frank lived down the road from me. He'd probably help me
make a clean sounding station. (clean is best imo)

Just make friends with the sound jock at your local dance hall. I ran
sound for a couple years and learned about ten times more about audio
than I did in college. I also drank about ten times more than I did in
college..... ::=burp=::

Nah, I have two friends that do the portable DJ thing and they don't
know dick about HF. They drink plenty while they're doing it too..I
reckon that's a perk tho.


I have noticed that most DJ's don't know squat about sound. Mixer
dudes for bands are a different breed.

Do you have a SSB 11 meter station anymore, Frank?


Absolutely. Right now I'm using that TRC-449 I got from Lance (where'd
he go these days?). It's probably not as much fun as your rig but then
I don't do DX on the CB. It just doesn't come in here very well.
Speaking of which, I took a trip to North Dakota a couple months ago.
As soon as I crossed the Rockies I heard the noise..... good god, it's
crappier on every channel than the single worst case I can remember
from Jacksonville, which was pretty noisy at times. How can anybody
talk over there -without- power?

Hello Frank

Hrmm, copy the west east propagation flowing in... and it's always been
that way imo. Ever hear Ohio on that 449?



Not very often. Sometimes catch the extreme east, but very rarely
anything between the Rockies and the Mississippi. It's gotta be the
mountains scattering the signal on a bounce or something like that,
but I've never done the math so I'm just guessing.


(good radio btw)



Generally yes, but after fixing a few I noticed it does have it's
issues. Like that ribbon cable for the display that often goes bad and
needs to be jumped. I'm just glad I could bring this one back from the
brink, it was in pretty rough shape. Are you running anything else
besides that furnace?




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Old December 22nd 06, 12:50 PM posted to rec.radio.cb
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Frank Gilliland wrote:
Are you running anything else
besides that furnace?

Furnace!? lol yeah I have a bunch of old radios, including Jim's' 2510 in
my truck.

--
Keep yourself to yourself and
keep your bedroll dry.
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Old December 22nd 06, 02:10 PM posted to rec.radio.cb
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Frank Gilliland wrote:
Well, here's some more techno-babble:

Real-time or feedback type compressors such as the SMM2166 use a
comparator to create the control signal and results in a "knee" in the
response curve. But any curve that has a knee is non-linear and
results in harmonic distortion (same as "compression distortion" in
your RF amps). Because the harmonics extend beyond the limit of your
audio bandwidth you must therefore limit that distortion with filters.
Since filters are non-linear with respect to frequency, and since
audio is an extremely wideband application, some part of the loop
(usually the preamp) must compensate for the diminishing high
frequency response (yes, even when the audio is limited to 3kHz).
That's called "frequency compensation" and is something that must be
included in the design of any compression circuit (or amplifier). You
can try to soften the knee by slowing the response time of the control
signal, but that results in spikes at the output because some of the
signal sneaks through during the time delay. So no matter what you do,
distortion is just an inescapable limitation of these circuits. If you
want to learn more on the subject, get an education.


You're right... your response is nothing but techno babble. You need to
read the complete data sheet for the SSM2166
(http://www.analog.com/UploadedFiles/...s/SSM2166.pdf). It
faithfully reproduces an audio sinewave... but has an AGC. The harmonic
dostortion is less than 1% according to the spec. So far, my new design
is working well... and has constant audio punch level... no matter if
you whisper or yell into the mic Exactly what is needed! With the fast
attack/release of the noise gate feature.. this chip is fantastic at
blocking ambient background noise!

www.telstar-electronics.com

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Old December 22nd 06, 07:33 PM posted to rec.radio.cb
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On 22 Dec 2006 06:10:17 -0800, "Telstar Electronics"
wrote in
om:

Frank Gilliland wrote:
Well, here's some more techno-babble:

Real-time or feedback type compressors such as the SMM2166 use a
comparator to create the control signal and results in a "knee" in the
response curve. But any curve that has a knee is non-linear and
results in harmonic distortion (same as "compression distortion" in
your RF amps). Because the harmonics extend beyond the limit of your
audio bandwidth you must therefore limit that distortion with filters.
Since filters are non-linear with respect to frequency, and since
audio is an extremely wideband application, some part of the loop
(usually the preamp) must compensate for the diminishing high
frequency response (yes, even when the audio is limited to 3kHz).
That's called "frequency compensation" and is something that must be
included in the design of any compression circuit (or amplifier). You
can try to soften the knee by slowing the response time of the control
signal, but that results in spikes at the output because some of the
signal sneaks through during the time delay. So no matter what you do,
distortion is just an inescapable limitation of these circuits. If you
want to learn more on the subject, get an education.


You're right... your response is nothing but techno babble. You need to
read the complete data sheet for the SSM2166
(http://www.analog.com/UploadedFiles/...s/SSM2166.pdf).



I've had it in my files since the chip first came out. Studied it
several times. Even used the chip in a couple designs.


It
faithfully reproduces an audio sinewave... but has an AGC.



Any linear amplifier will "reproduce" a sinewave. If it has AGC then
how "faithfully" that sinewave is reproduced depends on the time
constant of the AGC loop.


The harmonic
dostortion is less than 1% according to the spec.



That's for a 1kHz sinewave with 1:1 (no) compression. That's pretty
crappy even for a CB, and proves that -you- didn't read the complete
datasheet. For comparison, look at the specs of the CA3080.


So far, my new design
is working well... and has constant audio punch level... no matter if
you whisper or yell into the mic Exactly what is needed!



If that's the case then you set the feedback time constant too slow
and built yourself a CVA, not a compressor. Look at the scope and you
will see spikes.


With the fast
attack/release of the noise gate feature.. this chip is fantastic at
blocking ambient background noise!



Yes, it works very well at blocking signals. So does a switch. The
problems start when it begins -passing- signals. Didn't I tell you to
do your research?




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Old December 23rd 06, 01:46 PM posted to rec.radio.cb
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Posts: 985
Default Thanks K7DYY...

Frank Gilliland wrote:
I've had it in my files since the chip first came out. Studied it
several times. Even used the chip in a couple designs.


It
faithfully reproduces an audio sinewave... but has an AGC.



Any linear amplifier will "reproduce" a sinewave. If it has AGC then
how "faithfully" that sinewave is reproduced depends on the time
constant of the AGC loop.


The harmonic
dostortion is less than 1% according to the spec.



That's for a 1kHz sinewave with 1:1 (no) compression. That's pretty
crappy even for a CB, and proves that -you- didn't read the complete
datasheet. For comparison, look at the specs of the CA3080.


So far, my new design
is working well... and has constant audio punch level... no matter if
you whisper or yell into the mic Exactly what is needed!



If that's the case then you set the feedback time constant too slow
and built yourself a CVA, not a compressor. Look at the scope and you
will see spikes.


With the fast
attack/release of the noise gate feature.. this chip is fantastic at
blocking ambient background noise!



Yes, it works very well at blocking signals. So does a switch. The
problems start when it begins -passing- signals. Didn't I tell you to
do your research?


Well... it seems you are much smarter than the engineers at Analog
Devices... LOL
They could sure use someone like you. Why don't you send them your
resume?

www.telstar-electronics.com

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