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#2
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Another way of saying that:
If your only tool is a hammer, all problems look like nails. Jim - -Agreed, but read Michael Black's post below. It's about awareness of other -techniques which help broaden the outlook, rather than starting with a very -narrow view of the solution and trying to make that fit the problem. Jim Weir, VP Eng. RST Eng. WX6RST A&P, CFI, and other good alphabet soup |
#3
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Another way of saying that:
If your only tool is a hammer, all problems look like nails. Jim - -Agreed, but read Michael Black's post below. It's about awareness of other -techniques which help broaden the outlook, rather than starting with a very -narrow view of the solution and trying to make that fit the problem. Jim Weir, VP Eng. RST Eng. WX6RST A&P, CFI, and other good alphabet soup |
#4
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On 13 Mar 2004 09:42:37 -0800, (R.Legg) wrote:
budgie wrote in message . .. On Fri, 12 Mar 2004 15:32:23 +0000, Ian Bell wrote: Paul Burridge wrote: In RF circles, the 'normal' way to do this would be a simple Class C amplifier with a collector load tuned to the fifth harmonic. In calls C, conduction only occurs for a small fraction of a cycle which produces a correspondingly higher proportion of higher harmonics than a square wave. I've been waiting for someone to post this. I would only add "The drive level, and the bais point, will vary the amount of fifth (or whichever) you will see." It's as common as noses in RF, as Ian pointed out. Just look at the average two-way radio prior to frequency synthesisers. Crystal freqs were multiplied this way in transmitter chains and for receive injection, although use of fifth wasn't especially common because you normally had enough design control to use the more efficient *2, *3 or *4. 'Tune for smoke' isn't an option for most new products, which have to be manufactured without hands. Agreed, but read Michael Black's post below. It's about awareness of other techniques which help broaden the outlook, rather than starting with a very narrow view of the solution and trying to make that fit the problem. onya Michael. Better to pick a suitable duty cycle (or more likely a conduction time period in a digital circuit), that has an efficient 5th harmonic component, including delays, at low power levels. http://www.wenzel.com/pdffiles/choose.pdf RL |
#5
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In article , budgie
writes: On Fri, 12 Mar 2004 15:32:23 +0000, Ian Bell wrote: Paul Burridge wrote: Hi all, Is there some black magic required to get higher order harmonics out of an oscillator? I'm only trying to get 17.2Mhz out of a 3.44Mhz source and am thus far failing spectacularly. I've tried everything I can think of so far to no avail. All I can get apart from the fundamental is a strong third harmonic on 10.32Mhz, regardless of what I tune for. In RF circles, the 'normal' way to do this would be a simple Class C amplifier with a collector load tuned to the fifth harmonic. In calls C, conduction only occurs for a small fraction of a cycle which produces a correspondingly higher proportion of higher harmonics than a square wave. I've been waiting for someone to post this. I would only add "The drive level, and the bais point, will vary the amount of fifth (or whichever) you will see." It's as common as noses in RF, as Ian pointed out. Just look at the average two-way radio prior to frequency synthesisers. Crystal freqs were multiplied this way in transmitter chains and for receive injection, although use of fifth wasn't especially common because you normally had enough design control to use the more efficient *2, *3 or *4. Fifty years ago that was mostly true and multiplier stages rarely went beyond the 4th harmonic. Two notable exceptions, though - A circa 1950 design by General Electric for an 1800 MHz radio relay terminal used a SEPTUPLER via a 2C39 planar triode. [7 x multiplier] Roughly 260 MHz input following a buffer stage from a 5th overtone crystal oscillator. Used in both transmitter and receiver panels ("dish- pan" style, chassis = rack panel) with the receiver septupler driving the mixer. Fussy to tune but stayed there once tuned. Another G.E. design of the early 1950s used Locked Oscillators in a TV broadcast local color subcarrier supply. Locked oscillators operate on integral multiples of the input and their use was almost extinct back then. That was deemed necessary in the G.E. design for an 11 x multiplier, the highest direct multiple I've encountered. A locked oscillator can also operate as a divider as G.E. did. The 3.58 MHz crystal could also be phase-locked to a network feed color burst. However, all those multiplier types went the way of the dinosaur when PLLs operating directly at the desired frequency came into being. There isn't any advantage to using those old "exotic" technologies other than in restoration for nostalgia's sake. Quintuplers CAN be made, but, so far, Paul hasn't explained enough specifics about his circuit, or how he is sensing any 5th harmonic for any of us to get a good handle on a possible aid. Note: Lacking any spectrum analyzer, a wide-range HF receiver with an S meter can be an indicator...but such needs to be checked against a calibrated signal generator for compensation of varying S meter indication versus input levels. That's what I use for checking HF levels (Icom R70) and it has been calibrated against a reasonably-known-level RF source. Len Anderson retired (from regular hours) electronic engineer person |
#6
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#7
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#8
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#9
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#10
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budgie wrote in message . ..
On Fri, 12 Mar 2004 15:32:23 +0000, Ian Bell wrote: Paul Burridge wrote: In RF circles, the 'normal' way to do this would be a simple Class C amplifier with a collector load tuned to the fifth harmonic. In calls C, conduction only occurs for a small fraction of a cycle which produces a correspondingly higher proportion of higher harmonics than a square wave. I've been waiting for someone to post this. I would only add "The drive level, and the bais point, will vary the amount of fifth (or whichever) you will see." It's as common as noses in RF, as Ian pointed out. Just look at the average two-way radio prior to frequency synthesisers. Crystal freqs were multiplied this way in transmitter chains and for receive injection, although use of fifth wasn't especially common because you normally had enough design control to use the more efficient *2, *3 or *4. 'Tune for smoke' isn't an option for most new products, which have to be manufactured without hands. Better to pick a suitable duty cycle (or more likely a conduction time period in a digital circuit), that has an efficient 5th harmonic component, including delays, at low power levels. http://www.wenzel.com/pdffiles/choose.pdf RL |
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