"0baMa0 Tse Dung" wrote in message
news:383d4b7a-e3e9-4d08-b304-
The people vote by listening to radio stations.
Station generate revenue based on their number of listeners (like a
political candidate in a democratic process).
Stations that can not draw enough listeners either close or change
formats (like a political candidate in a democratic process).
Just like when you vote for a Liberal fascist President.
But unlike a Liberal Fascist Government, radio stations can not rely
on the theft by way of taxes to keep themselves on the air.
What you are saying is that Liberal Fascist Government decides who can
run a radio station and what format and content it can broadcast
But you and I who actually vote by listening to what we want to listen
to (it's called Freedom BTW Dr.DaviD, PhD) have no vote.

Radio station owners (at this point, most are owned by five or six large
corporations) have been telling us what we like for years. We are given a
playlist of often as little as 100 different tracks and told we get to pick
the ones we like best. Blame Bill Drake, the inventor of the Drake format
(top 30).

We may have the 'freedom' to choose what we listen to on the radio, but the
choice, thanks to corporatized radio, is miniscule.

On Jul 11, 9:12*am, "Brenda Ann" wrote:
We may have the 'freedom' to choose what we listen to on the radio, but the
choice, thanks to corporatized radio, is miniscule.

Ja, unt Government will give you more for less - bwaHAHAHAHA!

You have never had a greater choice in radio programming in all of
history.
STOP with the Liberal Fascist propaganda lies!

0baMa0 Tse Dung wrote:
On Jul 11, 9:12 am, "Brenda Ann" wrote:
We may have the 'freedom' to choose what we listen to on the radio, but the
choice, thanks to corporatized radio, is miniscule.

Ja, unt Government will give you more for less - bwaHAHAHAHA!

You have never had a greater choice in radio programming in all of
history.
STOP with the Liberal Fascist propaganda lies!


Bull****. Radio is thoroughly homogenized mediocrity (with very rare
exceptions).

"0baMa0 Tse Dung" wrote in message
...
On Jul 11, 9:12 am, "Brenda Ann" wrote:
We may have the 'freedom' to choose what we listen to on the radio, but
the
choice, thanks to corporatized radio, is miniscule.

Ja, unt Government will give you more for less - bwaHAHAHAHA!

You have never had a greater choice in radio programming in all of
history.
STOP with the Liberal Fascist propaganda lies!

ROTFLMAO!!!!!

The choices of radio formats in most cities have dwindled to but a few:

Hip Hop
Oldies
Country (not in many east coast cities)
Sports/talk
Rock

Gone from almost all venues are classical, opera, jazz, easy listening and
MOR.

Tell us again how we have more choices than ever.. perhaps we have more
choices of where to listen to Rush Limbaugh and George Noory.. more places
to listen to Fitty Cent.. more places to listen to the same tired old 50 or
so oldies tracks on the average oldies playlists.. but real CHOICE.. nope.

"Brenda Ann" wrote in message
...

"0baMa0 Tse Dung" wrote in message
...
On Jul 11, 9:12 am, "Brenda Ann" wrote:
We may have the 'freedom' to choose what we listen to on the radio, but
the
choice, thanks to corporatized radio, is miniscule.

Ja, unt Government will give you more for less - bwaHAHAHAHA!

You have never had a greater choice in radio programming in all of
history.
STOP with the Liberal Fascist propaganda lies!

ROTFLMAO!!!!!

The choices of radio formats in most cities have dwindled to but a few:

Hip Hop
Oldies
Country (not in many east coast cities)

Except for New York, name me two East Coast metros without a country
station.

Sports/talk
Rock

Well, let's look at LA. Around 13 million people, 91 or 92 licensed
stations.

We have:
Liberal talk
Sports talk
Conservative talk
All News
Christian Talk
NPR / Talk
Childrens' (Disney)
Contemporary Christian
Christian Teaching
CHR
Alternative Rock
Classic Rock
AAA
Rhythmic AC
Traditional AC
Oldies (actually "Classic Hits" as we have no real oldies station)
Country
Jazz
Rhythmic Oldies
Urban
Classical
Hurban
Smooth Jazz
Adult Hits
Americana
CHUrban
Spanish CHR
Spanish AC
Spanish Adult Hits
Spanish All Sports
Spanish talk
Spanish Regional Mexican (equivalent of country)
Spanish rhythmic
Spanish religious
Spanish regional Oldies
In addition there are stations in Korean, Vietnamese and Chinese as well as
ones that combine various Asian languages.
And, finally, there is a station 24/7 in Farsi.

I can't really think of anything that is missing. And compared to the 60's,
the number of viable alternatives has more than trippled.


Gone from almost all venues are classical, opera, jazz, easy listening and
MOR.

The audience for classical has declined as it died; changes in school music
programs have pretty much eliminated the creation of a new generation or two
of classical listeners. Opera is simply an extension of this... there was
never an all.opera station, as opera was an occasional feature of classical
formats.

Jazz was never a broadly successful (read: it did not have many listeners)
anywhere. My first job was at a jazz station, WCUY,, in Cleveland, so I have
followed the genre, and it has few followers, even in the few places where
there are pockets of interest. Also, it is an art form that is dying due to
the ageing of its artistas and fans.

Easy listening and MOR are similar... they aged with the listener groups and
eventually there was no market. I did (as in managed, programmed and sold) a
syndicated Beautiful Music format and by the ending years of the 80's, there
was neither an audience nor any new music to be had; I had to spend a lot of
money as part of an alliance of syndicators to get familar hits recorded in
instrumental versions to keep the format fresh... even that failed after
time.

MOR died with its listeners.

You have named formats that aged out of existence because new generations
did not like the music and the older ones croaked. New formats based on new
music forms have come to replace them.


Tell us again how we have more choices than ever.. perhaps we have more
choices of where to listen to Rush Limbaugh and George Noory.. more places
to listen to Fitty Cent.. more places to listen to the same tired old 50
or so oldies tracks on the average oldies playlists.. but real CHOICE..
nope.

When I grew up in what was then a Top 10 market, long before any FM "made
the ratings" we had 8 AMs... one a daytimer, and one a suburban Class IV.
There were three formats. 2 were r&b, 3 were Top 40 and 3 were MOR. That was
real choice.

That market now has more than 20 differentiable choices in formats. that is
nearly 7 times the number of choices as before.

"David Eduardo" wrote in message
...
The audience for classical has declined as it died; changes in school
music programs have pretty much eliminated the creation of a new
generation or two of classical listeners. Opera is simply an extension of
this... there was never an all.opera station, as opera was an occasional
feature of classical formats.

You must be talking specifically about LA. I've lived in cities (Salt Lake
for one) that had dedicated opera stations (KWHO).

You've pretty much made my point about choice.

That long list you made is all the same thing pretty much. Fudging the names
doesn't change that fact. Also, you are in a very large market. Smaller
markets (like Salt Lake and Portland, OR) used to have much wider variety of
choices than they now do. And I STILL resent your (and the *******
industry's assertion that all of us that like things like classical, MOR and
Beautiful music are all dead or not worth marketing to. I'm only 54 years
old, and have at least another 15 years of making an income (and spending
it) and at least another 20 years or more of time to listen. Boomers may be
aging, but dammit we're not DEAD.

As far as American Music goes, Big Band/Swing era Music on DirecTV, XM
40s on 4 is the ticket for me.Big Band/Swing Music always has been my
favorite American Music.

I like old Scots and Irish Music the best.

Tabhair Dom do Lamhhhhhhhh,,,,,,,
cuhulin

"Brenda Ann" wrote in message
...

"David Eduardo" wrote in message
...
The audience for classical has declined as it died; changes in school
music programs have pretty much eliminated the creation of a new
generation or two of classical listeners. Opera is simply an extension of
this... there was never an all.opera station, as opera was an occasional
feature of classical formats.

You must be talking specifically about LA. I've lived in cities (Salt Lake
for one) that had dedicated opera stations (KWHO).

I never knew there was a dedicated opera station, and I have run two
classical stations, one as owner and one as manager.

You've pretty much made my point about choice.

Yes, it is obvious that you do not understand the diversity of taste. You
lump rock in one bucket, yet the average alternative listener will never use
a classic rock station, for example. The listener to Hot AC (which is
between CHR and traditional AC) generally does not like other forms of AC...
to listeners, each of the names means a different proximity or distance from
personal taste.

There is a big difference between an Urban that plays deep hip hop and r&b,
and a CHR or CHUban that plays only crossover "lite" hip hop like Akon.

That long list you made is all the same thing pretty much. Fudging the
names doesn't change that fact.

When you realize that the audience for an oldies station is mostly NOT the
audience for a classic hits station (one is 60's based, the other 70's) the
distinctions are very, very real. They are the differences between listening
and not listening. The reasons the names exist is that the formats are very
different, and have limite title overlaps. Generally, format names are used
to identify to time buyers what kind of station each set of calls
represents.

Also, you are in a very large market. Smaller markets (like Salt Lake and
Portland, OR) used to have much wider variety of choices than they now do.

Actually, they don't. Pre-consolidation, each individual owner tried to win
with the biggest formats... so we had 5 ACs in Cleveland and 3 CHRs in
Seattle. Now, with clusters, we can look for individual and sometimes
comoplementary formats that give better results without having head on
battles for the country or CHR or AC or Urban leader.

And I STILL resent your (and the ******* industry's assertion that all of
us that like things like classical, MOR and Beautiful music are all dead or
not worth marketing to.

Radio is not at fault here, and I have told you that repeatedly.

Commercial radio can only program things advertisers will buy. Audiences
under 18 and over 55 are not on ad buys for radio... essentially, never. So
there is no money for formats that apeal to older folks so radio can not do
them specifically.

Beautiful music died because the public's interest in instrumental music
died. They no longer wanted to hear it... in the 50's andd 60's there were
numerous instrumental hits. Today, irrespective of the format, there are
none. Even listeners to formats that play 60's music don't want to hear Walk
Don't Run and Telstar any more. Radio reacts by not playing instrumentals,
and since they don't sell, the record companies stop producing them.

None of this is radio's issue... if instrumentals come back, stations will
play them.

MOR artists are all dead, except for Wayne Newton who is probably a hologram
or a mummy.... there is nearly no audience at all for that format and none
under about 70.

I'm only 54 years
old, and have at least another 15 years of making an income (and spending
it) and at least another 20 years or more of time to listen. Boomers may
be aging, but dammit we're not DEAD.

If no advertisers wish to reach you, radio can not serve you. Get public
radio to do classical (they do in some markets) and instrumental slush and
MOR... but since most survive on donations, they will not last.

Instead, go tell Proctor and Gamble that the hundreds of millions a year
they spend on marketing research is wrong...

David Eduardo wrote:


Beautiful music died because the public's interest in instrumental music
died. They no longer wanted to hear it... in the 50's andd 60's there
were numerous instrumental hits. Today, irrespective of the format,
there are none. Even listeners to formats that play 60's music don't
want to hear Walk Don't Run and Telstar any more. Radio reacts by not
playing instrumentals, and since they don't sell, the record companies
stop producing them.

None of this is radio's issue... if instrumentals come back, stations
will play them.

MOR artists are all dead, except for Wayne Newton who is probably a
hologram or a mummy.... there is nearly no audience at all for that
format and none under about 70.


Tell it to these guys Dwardo.

http://somafm.com/

On Jul 11, 6:09*pm, "David Eduardo" wrote:
"Brenda Ann" wrote in message

...





"0baMa0 Tse Dung" wrote in message
....
On Jul 11, 9:12 am, "Brenda Ann" wrote:
We may have the 'freedom' to choose what we listen to on the radio, but
the
choice, thanks to corporatized radio, is miniscule.

Ja, unt Government will give you more for less - bwaHAHAHAHA!

You have never had a greater choice in radio programming in all of
history.
STOP with the Liberal Fascist propaganda lies!

ROTFLMAO!!!!!

The choices of radio formats in most cities have dwindled to but a few:

Hip Hop
Oldies
Country (not in many east coast cities)

Except for New York, name me two East Coast metros without a country
station.

Sports/talk
Rock

Well, let's look at LA. Around 13 million people, 91 or 92 licensed
stations.

We have:
Liberal talk
Sports talk
Conservative talk
All News
Christian Talk
NPR / Talk
Childrens' (Disney)
Contemporary Christian
Christian Teaching
CHR
Alternative Rock
Classic Rock
AAA
Rhythmic AC
Traditional AC
Oldies (actually "Classic Hits" as we have no real oldies station)
Country
Jazz
Rhythmic Oldies
Urban
Classical
Hurban
Smooth Jazz
Adult Hits
Americana
CHUrban
Spanish CHR
Spanish AC
Spanish Adult Hits
Spanish All Sports
Spanish talk
Spanish Regional Mexican (equivalent of country)
Spanish rhythmic
Spanish religious
Spanish regional Oldies
In addition there are stations in Korean, Vietnamese and Chinese as well as
ones that combine various Asian languages.
And, finally, there is a station 24/7 in Farsi.

I can't really think of anything that is missing. And compared to the 60's,
the number of viable alternatives has more than trippled.



Gone from almost all venues are classical, opera, jazz, easy listening and
MOR.

The audience for classical has declined as it died; changes in school music
programs have pretty much eliminated the creation of a new generation or two
of classical listeners. Opera is simply an extension of this... there was
never an all.opera station, as opera was an occasional feature of classical
formats.

Jazz was never a broadly successful (read: it did not have many listeners)
anywhere. My first job was at a jazz station, WCUY,, in Cleveland, so I have
followed the genre, and it has few followers, even in the few places where
there are pockets of interest. Also, it is an art form that is dying due to
the ageing of its artistas and fans.

Easy listening and MOR are similar... they aged with the listener groups and
eventually there was no market. I did (as in managed, programmed and sold) a
syndicated Beautiful Music format and by the ending years of the 80's, there
was neither an audience nor any new music to be had; I had to spend a lot of
money as part of an alliance of syndicators to get familar hits recorded in
instrumental versions to keep the format fresh... even that failed after
time.

MOR died with its listeners.

You have named formats that aged out of existence because new generations
did not like the music and the older ones croaked. New formats based on new
music forms have come to replace them.



Tell us again how we have more choices than ever.. perhaps we have more
choices of where to listen to Rush Limbaugh and George Noory.. more places
to listen to Fitty Cent.. more places to listen to the same tired old 50
or so oldies tracks on the average oldies playlists.. but real CHOICE..
nope.

When I grew up in what was then a Top 10 market, long before any FM "made
the ratings" we had 8 AMs... one a daytimer, and one a suburban Class IV.
There were three formats. 2 were r&b, 3 were Top 40 and 3 were MOR. That was
real choice.

That market now has more than 20 differentiable choices in formats. that is
nearly 7 times the number of choices as before.

every city has 13 million people. have you ever heard of play lists?
that means someone else chooses what you are listening to. most
stations use play lists.
nice try, in free market america, you have tons of choices, that are
almost all the same.