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On 1/23/12 13:30 , FarsWatch4 wrote:
If you were involved with EIGHT...maybe more? Then there was something wrong with the mthodology of this survey Not at all. 6 were in other markets. 2 were followup studies. Then the methodology is flawed....and as a reesult, I would be suspect of any conclusions. The methodology is flawed? Because the survey was conducted in multiple markets? Hardly. That's like saying Arbitron's PPM is flawed because it's used in more than Chicago. Nonsense. You're suspect of any conclusions because they don't agree with your pre packaged claims. You're not familiar with the way this kind of survey is done. Rarely just one. Never in a single location. And about 1/3 of the time with a current followup to note trends in response, or changes in perceptuals. You're correct. In all my years in broadcasting, I have never heard of such a silly way to do a "survey". Which, then, says a lot about your experience. You should do some, sometime. It's pretty fascinating stuff. At CBS, we did perceptuals at least once a year. Sometimes twice. Just to keep track of trends, and to see how tastes were evolving. And music surveys are done with greater frequency. In different locations. I worked at one station that did callout music research every night. My company prepares music clips for callout surveys almost constantly for stations in markets across the country. What's interesting is the variation is responses, by market, to a given song. When taken in context with the wider picture, the local snapshot reveals even more about local tastes, public expectations, and public perceptions based on cultural norms all of which are locally shaped. In every market where 'HD radio listening test' surveys were conducted in which I was involved, the tests were conducted according to iBiquity's requirements, the participants selected according to iBiquity's criteria, and the results tabulated and interpreted by iBiquity's specifications. As was posted here...the tests were rigged in iBiquity's favor, sonically, and those with experience, trained ears, or musical abiltiy were eliminated from participation, and the results weighted in favor of HD radio. There is a reason that engineers at HD stations are contractually prohibited from criticizing HD radio, and HD radio performance. There is a reason why stations who discontinue HD broadcasting are pursued by iBiquity's legal department to force them to return to participating in the HD radio scam. And there is a reason why criticism of such an obviously flawed system produces this blizzard of fanboi responses quoting iBiquity pamphlets, memoes and newsletters. The truth requires none of these things. Only a promotional scam requires such tactics. In the same way only the Tobacco industry required an industry run Tobacco Institute to protect industry interests against the mountains of evidence against it. IBiquity's tactics amount to a kind of strongarming for which Sarnoff has been excoriated in this group for his treatment of inventions of other men, like Armstrong and Farnsworth. In time, there will be an accounting. Sadly, it will take too much time. And both the broadcasting industry and the FCC has too much invested here to see, or hear the truth about this system. But just like even the Tobacco industry, the truth will out, and there will be an accounting. What damage is wrought in the interim, will remain to be seen. But, as you, yourself have admitted, there is a waning of public interest in all things Radio....not just shortwave, that has not rallied even with DRM, but with AM and FM broadcasting...and the public has an eery ability to find, or create alternatives to things that they don't like, or things that they once loved, that have been screwed with until they no longer serve the needs of the pubic, or things that they've lost interest in. And Radio will be no different. Radio will find that it's relevance is reduced, as lighter, more responsive, and more personally customized sources for entertainment and information become available. And, in time, Radio will find that it's no longer the dominant medium. And that no one but Radio cares about that fact. Even today station content is available from multiple sources, all producing less than survivable revenue. Even as I write this, I'm listening to a station in Louisiana, while my wife, at her office listens to a station in Indianapolis. Neither of us are using radios. And we both can take these stations with us on our cell phones. With unlimited plans, or even the new larger data plans by AT&T and Verizon, there's no reason to fear streaming your favorite stations, now. And the stations themselves? Well, they'd better find ways to either monetize their streams, OR find a way to provide compelling listening content to draw listeners to their terrestrial transmitters. Or, like two stations here in Chicago....Radio will be moved to the internet, or another alternative, as an interim step to being moved out of the public ear entirely. And in none of these scenarios does HD radio play a part. It's just another one of all things Radio that even you agree, the public is losing interest in. D. Peter Maus. |
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