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#1
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A straight Morse key has a fulcrum away from you, but your wrist
articulates in front of the key, in a mirror image of that of the key. Therefore, your wrist is constrained to follow an unnatural arc when keying. Have there been any mechanical designs published so that the keying arc is in the same sense as the wrist arc? (cf. Watts' parallel motion, perhaps?) |
#2
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![]() Quote:
How about keeping the key turned 180° (facing away from you)?! 73, Nandu. |
#3
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"vu2nan" wrote in message
... gareth;821995 Wrote: A straight Morse key has a fulcrum away from you, but your wrist articulates in front of the key, in a mirror image of that of the key. Therefore, your wrist is constrained to follow an unnatural arc when keying. Have there been any mechanical designs published so that the keying arc is in the same sense as the wrist arc? (cf. Watts' parallel motion, perhaps?) How about keeping the key turned 180° (facing away from you)?! That thought did occur to me in bed last night. The main difficulty would be in needing a special-purpose table with an indentation to hold the Morse key so that one's forearm remained flat on the table. However, such an arrangement would solve the "glass arm" form of RSI because one's wrist would not be turned up at an awkward angle to grasp the knob, so that the point of contact of the thumb and finger would be level. I took such an approach a couple of years ago when making my ersatz vibroplex, by having a downward right angle bend for the paddles, you keyed horizontally. |
#4
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![]() Quote:
Or the key should be below the table-top with only the knob projecting out! 73, Nandu. Last edited by vu2nan : July 20th 14 at 08:11 PM |
#6
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On Sat, 19 Jul 2014, gareth wrote:
A straight Morse key has a fulcrum away from you, but your wrist articulates in front of the key, in a mirror image of that of the key. Therefore, your wrist is constrained to follow an unnatural arc when keying. Have there been any mechanical designs published so that the keying arc is in the same sense as the wrist arc? (cf. Watts' parallel motion, perhaps?) I seem to recall paddles that did nothing, ie it was a key that went side to side, but no automatic sending of dots (like on a bug) or dots and dashes (like on a keyer). I think there was a period when such things existed, I don't think it's even considered in more recent times. Why not just a pushbutton? Then you can just move your finger, no need for the whole wrist to move. I was going to say keys had to be as they are because they handled large current in the early days of radio, but the form of the key relates to the telegraph, and that wasn't high current. Michael |
#7
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"Michael Black" wrote in message
xample.org... Why not just a pushbutton? You're not a Morse man, then? |
#8
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On 19/07/2014 22:15, gareth wrote:
A straight Morse key has a fulcrum away from you, but your wrist articulates in front of the key, in a mirror image of that of the key. Therefore, your wrist is constrained to follow an unnatural arc when keying. Your key contacts must be too wide apart if you are able to perceive your wrist following an arc. |
#9
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On Sat, 19 Jul 2014 22:15:48 +0100, "gareth"
wrote: A straight Morse key has a fulcrum away from you, but your wrist articulates in front of the key, in a mirror image of that of the key. Therefore, your wrist is constrained to follow an unnatural arc when keying. Have there been any mechanical designs published so that the keying arc is in the same sense as the wrist arc? (cf. Watts' parallel motion, perhaps?) When I think of a wrist following an arc repetitively why am I reminded of OSN? |
#10
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"Rambo" wrote in message
... On Sat, 19 Jul 2014 22:15:48 +0100, "gareth" wrote: A straight Morse key has a fulcrum away from you, but your wrist articulates in front of the key, in a mirror image of that of the key. Therefore, your wrist is constrained to follow an unnatural arc when keying. Have there been any mechanical designs published so that the keying arc is in the same sense as the wrist arc? (cf. Watts' parallel motion, perhaps?) When I think of a wrist following an arc repetitively why am I reminded of OSN? For shame, OM! Brian has some very endearing features, of that I am very sure, although in his twelve years of contributing to this NG, I have yet to encounter them. |
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