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  #21   Report Post  
Old December 5th 07, 07:55 PM posted to rec.radio.shortwave
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Default Eduardo - Has Working In Radio Cost You A Loan?



dxAce wrote:

D Peter Maus wrote:

dxAce wrote:

D Peter Maus wrote:

David Eduardo wrote:
"dxAce" wrote in message
...
Have you EVER selected music in the US, and if so, have you ever accepted
Payola?

Stop obfuscating!

I am a manager, not a music director. Your question is irrelevant.


Actually, it's not. That, with all you have said, here, you can't
simply say "yes" or "no" reveals a good deal.

Yes, it does.

And that you now claim to
have once owned a record label as well as radio stations, the question
is quite relevant.

A record label? Somewhere along the line I missed that one.


Check the thread in alt.radio.broadcasting headed

Who determines what artists get played on a corporate station's
holiday playlist?

The relevant post is here, in it's entirety:


And a publishing company as well... amazing!


What will be next, an automobile dealership?





"Danny T" wrote in message
...
On Nov 29, 11:34 pm, "David Eduardo" wrote:
"Danny T" wrote in message

...



You're right - this isn't me on my yacht with Gary Sinise this summer
when I took him sailing. I am a troll and those #1 songs that keep
paying for me to have fun are fake and I never was on MTV and all the
people that know me don't really.

You are a troll who misunderstands both radio and music, and believes a
minor record duck at a smaller Nashville label is a big shot.

You could claim to be Shrek for all I care... your posts thoroughly
discredit you as being in the music or radio industries.

And I'm really the Lone Ranger.

You really are a gas buddy. I've been posting here since about the
creation of the group and anyone that's been around for a while knows

I have visited the radio group for many many years, going back to when it
was a minor confusion with the real rec.radio.broadcasting. You did note
that one of your cross posts is to a RADIO group which is where your nasty,
lying and filthy comments accusing the industry of generalized payola were
particularly heinous. If you want to lie about radio, radio programmers and
how music is programmed, don't do it where you may actually find people who
are in the business.

I am not a troll. BTW, what is your background in music? I'd love to
know - really

My background is in radio broadcasting, although I owned a publishing
company and a small label at one time... outside the US.

OH- I think Jimmy will be on Kenny Chesney's boat again for christmas
out on St. John if you want to tell him yourself that he is a little
little duck.

He's a record duck for a smaller Nashville country label. Period. "Quack,
quack, play my record." And you seem to be a charter captain who dabbles
in music.

He might be on his own this winter though because Kenny
is a power boat kind of guy. (he has a 65 foot sea ray)

You are not Kenny. Kenny is actually a star and a great country artist. But
power boaters are the scourge of the Caribbean, especially when loaded with
drinking gringos.




Quite interesting!

Also, in a previous thread, you've claimed you were NOT a manager,
Interesting discrepancy.

The ever changing story of David Frackelton Gleason.

Stay tuned!



  #22   Report Post  
Old December 5th 07, 08:44 PM posted to rec.radio.shortwave
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Default Eduardo - Has Working In Radio Cost You A Loan?


"IBOCcrock" wrote in message
...
On Dec 5, 11:21 am, "David Eduardo" wrote:
"dxAce" wrote in message

...



Have you EVER selected music in the US, and if so, have you ever
accepted
Payola?


Stop obfuscating!


I am a manager, not a music director. Your question is irrelevant.


"I am a manager"

I bet, that you are real asshole to work under - ever had sex with a
subordinate in exchange for writing a glowing performance appraisal? I
hear those Latina women are real tigers in bed.


0 1 2 3 4 5 6 7 8 9 10 +10dB
|||||||||||||||||||||||||||||||||||||||||||||||||| |||||||||||||||||||||
TROLL-O-METER

0 1 2 3 4 5 6 7 8 9 10 +10dB
|||||||||||||||||||||||||||||||||||||||||||||||||| |||||||||||||||||||||
BULL****-O-METER


  #23   Report Post  
Old December 5th 07, 08:45 PM posted to rec.radio.shortwave
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Default Eduardo - Has Working In Radio Cost You A Loan?


"D Peter Maus" wrote in message
...
David Eduardo wrote:
"dxAce" wrote in message
...

Have you EVER selected music in the US, and if so, have you ever
accepted
Payola?

Stop obfuscating!


I am a manager, not a music director. Your question is irrelevant.




Actually, it's not. That, with all you have said, here, you can't simply
say "yes" or "no" reveals a good deal. And that you now claim to have once
owned a record label as well as radio stations, the question is quite
relevant.


The record label was in Ecuador. Payola is only a legal concept and
proscribed in the US.

Also, in a previous thread, you've claimed you were NOT a manager,
Interesting discrepancy.


I am not a GM, and have not been since 1982.


  #24   Report Post  
Old December 5th 07, 08:48 PM posted to rec.radio.shortwave
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Default Eduardo - Has Working In Radio Cost You A Loan?


"dxAce" wrote in message
...


D Peter Maus wrote:

David Eduardo wrote:
"dxAce" wrote in message
...

Have you EVER selected music in the US, and if so, have you ever
accepted
Payola?

Stop obfuscating!


I am a manager, not a music director. Your question is irrelevant.



Actually, it's not. That, with all you have said, here, you can't
simply say "yes" or "no" reveals a good deal.


Yes, it does.


I was actually quite famous in Puerto Rico for removing record promoters
from stations I managed. We made our music decisions via a music committee
of the PD, the MD and some "in demo" staffers, not by manager's fiat.

And that you now claim to
have once owned a record label as well as radio stations, the question
is quite relevant.


A record label? Somewhere along the line I missed that one.

Quite interesting!


Many broadcast companies have owned labels. It's not unusual.

Also, in a previous thread, you've claimed you were NOT a manager,
Interesting discrepancy.


The ever changing story of David Frackelton Gleason.

Stay tuned!


I said I was not a general manager. Big difference. The main point is that I
do not pick music... actually, our listeners do.


  #25   Report Post  
Old December 5th 07, 08:49 PM posted to rec.radio.shortwave
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Default Eduardo - Has Working In Radio Cost You A Loan?



David Eduardo wrote:

"D Peter Maus" wrote in message
...
David Eduardo wrote:
"dxAce" wrote in message
...

Have you EVER selected music in the US, and if so, have you ever
accepted
Payola?

Stop obfuscating!


I am a manager, not a music director. Your question is irrelevant.




Actually, it's not. That, with all you have said, here, you can't simply
say "yes" or "no" reveals a good deal. And that you now claim to have once
owned a record label as well as radio stations, the question is quite
relevant.


The record label was in Ecuador. Payola is only a legal concept and
proscribed in the US.

Also, in a previous thread, you've claimed you were NOT a manager,
Interesting discrepancy.


I am not a GM, and have not been since 1982.


But you are a faux Hispanic, and have been so since circa 2000.




  #26   Report Post  
Old December 5th 07, 08:50 PM posted to rec.radio.shortwave
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Default Eduardo - Has Working In Radio Cost You A Loan?



David Eduardo wrote:

"D Peter Maus" wrote in message
...
David Eduardo wrote:
"dxAce" wrote in message
...

Have you EVER selected music in the US, and if so, have you ever
accepted
Payola?

Stop obfuscating!


I am a manager, not a music director. Your question is irrelevant.




Actually, it's not. That, with all you have said, here, you can't simply
say "yes" or "no" reveals a good deal. And that you now claim to have once
owned a record label as well as radio stations, the question is quite
relevant.


The record label was in Ecuador.


Quick, get that up on your website!

Payola is only a legal concept and
proscribed in the US.

Also, in a previous thread, you've claimed you were NOT a manager,
Interesting discrepancy.


I am not a GM, and have not been since 1982.


  #27   Report Post  
Old December 5th 07, 08:51 PM posted to rec.radio.shortwave
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Default Eduardo - Has Working In Radio Cost You A Loan?


"dxAce" wrote in message
...


The relevant post is here, in it's entirety:


And a publishing company as well... amazing!


I had the Ecuadorian rights to the Brambila Musical Mexico catalog, mostly
stuff published on sheet music for night clubs and such. I don't recall ever
playing any of the songs on the radio, as Mexican music was not in any of my
formats there. The label stuff was all licensing, mostly collections of 40's
and 50's stuff that was packaged for retail. We did not promote to radio
programmers.


  #28   Report Post  
Old December 5th 07, 08:53 PM posted to rec.radio.shortwave
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Default Eduardo - Has Working In Radio Cost You A Loan?


"dxAce" wrote in message
...



And a publishing company as well... amazing!


What will be next, an automobile dealership?


We imported and sold sheet music of old Mexican compositions. Probably did
not make more than a few thousand dollars a year on it, but it helped build
good relations with sources in Mexico.


  #29   Report Post  
Old December 5th 07, 08:54 PM posted to rec.radio.shortwave
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Default Eduardo - Has Working In Radio Cost You A Loan?


"dxAce" wrote in message
...


The record label was in Ecuador.


Quick, get that up on your website!


It falls in the "who cares" department along with a night club we had for a
while (modeled after the clubs Organización Radio Centro had in Mexico) and
other small businesses, like technical services and such.


  #30   Report Post  
Old December 5th 07, 08:56 PM posted to rec.radio.shortwave
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Default Eduardo - Has Working In Radio Cost You A Loan?



David Eduardo wrote:

"dxAce" wrote in message
...


The relevant post is here, in it's entirety:


And a publishing company as well... amazing!


I had the Ecuadorian rights to the Brambila Musical Mexico catalog, mostly
stuff published on sheet music for night clubs and such. I don't recall ever
playing any of the songs on the radio, as Mexican music was not in any of my
formats there. The label stuff was all licensing, mostly collections of 40's
and 50's stuff that was packaged for retail. We did not promote to radio
programmers.


Uh-Huh!


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