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"Henry Kolesnik" wrote: Jenn The neck wood affects the sound energy as it goes from the nut vibrate the guitar and so does the truss rod. True; I was thinking of the neck shape. The question is, of course, can one hear the difference between different neck woods on the same instrument body. Tuners can influence the sound because their weight can dampen vibrations. But can one hear the difference between different tuners? I seriously doubt it. An interesting thing is to hold a tuner lightly ( or the headstock) when you pluck a string and feel the vibrations. But can you hear the tone quality change as you hold the tuners? I can't detect that difference on any of my instruments. A good analysis should be able to detect loose bracing and you should also be able to see the effects of scalloped bracing. Indeed. I shotgunned this query because I didn't know where I would find the most help. If responders can suggest a group I could limit it and not waste time of those who aren't interested. I've also made unconnected posts to other groups, but have less interest and reponse so far. I didn't post to any guitar groups because most there are musicians that don't need this kind of crutch and have an ear that's been trained for many years. I want to see if I can catch up by being able to see. In addition it should be helpful in voice training which I also need because I'm trying but with less success to sing. If you go to rec.music.makers.guitar.acoustic, you'll find several outstanding luthiers there who may be able to offer help. And though I don't hang out there, rec.music.makers.builders might also include similar folks. Good luck, Hank! 73 Hank WD5JFR "Jenn" wrote in message ... In article , "Henry Kolesnik" wrote: Amy, Bob, Richard Thanks for your response and interest. I'm retired used to be an engineer before management laid waste to that. I've started taking weekly guitar lessons over a year ago and slowly getting a bit better. It's a hell of a challenge at 66. I want to buy a better guitar and all guitars don't sound the same, even the same model. One shouldn't expect them to because they're all made from different cuts of wood and assembled by human hands. What amazed me is that the materials used for the nut, neck, saddle and bridge as well as the mfg and age of the strings have a noticeable effect on the sound. The bridge pins, angle of the strings out of the bridge pin holes and tuners also have effects. In the last year I found at least four guitars that I really liked, 3 used ones and a new one all over a $1000.00 but I passed because I'm not that impulsive or flush with cash. A good player can make just about any guitar sound good, or a hell of a lot better than me. I'm into ham radio also and last year at hamfest I traded for an HP 3582A spectrum analyzer but the learning curve is a bit steep for me. So unless I can find an experienced user or devote much more time to it I'm going to have to trade it. Last week I won an HP 3561A on ePay but it has a problem that I hope I can fix. In the meantime I thought it might make sense to scope out sound cards and related software. I know a lot of hams use sound cards for various & different applications and it's about time I took a wack at one and what better way than trying to figure out what it is that makes one guitar sound so much better than another. Or if changing the nut, saddle or bridge pins really improves the sound or is it just wishful thinking. What a neat project! I can tell you, based on years of experience with changing out the parts that you mentioned (nut, saddle, bridge, pins, ESPECIALLY break angle) that these things DO make a difference in the sound. I have NOT heard a difference with changes of neck or tuners (certainly these things affect the intonation of the instrument, but I've never known then to change the quality of sound). However, the choice of wood, body shape, and top bracing are far more relevant. You might want to check with Martin, Taylor, Larrivee, et al to see if they have any scientific info that can help you. They aren't in the business of pushing pins, tuners, etc. Good luck and please post what you find out! (Since this is RAO, I should point out that my hearing of the things mentioned in my second paragraph above is based on differences heard based on changes made to the instruments when it wasn't possible to know about the changes.) |
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